CHARLI XCX: PART 2 (with Pitchfork's Anna Gaca)
Pop Pantheon
DJ Louie XIV
4.7 • 630 Ratings
🗓️ 10 October 2024
⏱️ 108 minutes
🧾️ Download transcript
Summary
Senior Editor at Pitchfork Anna Gaca returns to Pop Pantheon for the second in our three-part series on Charli XCX. Anna and Louie look back on Charli’s early link-ups with "hyperpop" innovator Sophie, starting with 2016’s Vroom Vroom EP, which began Charli's pivot from an also-ran on the pop charts into the genre’s savviest alternative auteur. From there, they chart her adventurous new creative direction, her work with frequent creative partner A.G. Cook on her 2017 mixtapes, the sugar-rush Number 1 Angel and the critically-beloved Pop 2. Finally, they discuss Charli's scrapped third studio album, XCX World, her failure to launch commercial singles in the U.S. and her 2019 self-titled album Charli.
Join us next week for our third and final part in the series, which will cover Charli’s output from 2020’s How I’m Feeling Now through brat.
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Transcript
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| 0:00.0 | Welcome to Pop Pantheon, the podcast where we completely overanalyze all of your favorite pop stars and then rank them in the official Pop Pantheon. |
| 0:17.7 | This is your host, DJ Louis, the 14th. |
| 0:20.5 | And I want to quickly remind everybody up top that gorgeous, gorgeous, my queer pop party is doing two Halloween parties on both coasts. The first one will be in LA at Los Globos on October 25th. And the next weekend on November 1st, we will be at the Sultan Room in Bushwick. Tickets are available for both of these in the show notes of this episode. |
| 0:37.6 | We're doing costume contests with a cash prize. So you won't want to miss this. And tickets are also going fast. So grab them while you still can. As usual, don't forget to rate review and subscribe to Pop Pantheon wherever you're listening to this now. Follow us on social media at Pop Pantheon pod. I'm at DJ L-O-U-I-E-X-I-V on Twitter and |
| 0:55.1 | Instagram. Get our merch at PopPanthianpod.com and our Patreon channel, Pop-Pantheon, all access, where we do weekly bonus episodes of this show is available at patreon.com slash Poppantheon or by clicking the link in the show notes of this episode, or you can subscribe for the audio only directly in the Apple Podcast app. |
| 0:52.1 | This past week, actually just yesterday, |
| 0:53.9 | we published an episode where Russ and myself |
| 1:16.1 | and Varieties Dan Dadario, who you might remember from our Katie Perry series, had the |
| 1:20.8 | pleasure of discussing Lady Gaga's role in the new film Joker Folly. |
| 1:30.8 | We saw it, so maybe you don't have to. |
| 1:33.4 | Anyway, it was a really fun conversation, so you won't want to miss that. |
| 1:35.7 | Also, last thing before we get into this week's episode, |
| 1:41.5 | I want to plug that I was a guest on my friend Jody Interfield's podcast AP, Taylor Swift, |
| 1:43.2 | discussing Taylor's lyrics. |
| 1:46.2 | This is a really fun podcast where they dig in in a professorial kind of like academic literary minded way to Taylor Swift's lyrics. So if you're a |
| 1:51.7 | swiftie and you want a new angle to think about her work, I highly recommend checking out |
| 1:55.4 | this podcast and I was on this past week. So I'm on I think the latest episode. So don't forget |
| 2:00.0 | to check that out. Okay. So today we're here for the second of our three-part series on Charlie X-C-X. If you haven't listened to the first part, which covers her early life all the way through 2015 Sucker, I highly recommend you listen to that episode first. This episode will cover Charlie's reinvention as the hyper-pop niche legend queen that she became from the mid to late |
| 2:17.9 | 2010's beginning with 2015's Vroom Vroom and all the way through her self-titled record |
| 2:22.9 | Charlie in 2019. Next week we'll obviously pick up with the conclusion of our series covering |
| 2:28.9 | 2020s how I'm feeling now through 2024's Brat. So without further ado, here is Charlie X-E-X part two. |
| 2:36.6 | In 2014, on the heels of Charlie X-EX's chaotic arrival on the pop scene, as a sometimes |
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