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| 0:00.0 | The You are a human animal. You are a very special breed, |
| 0:39.8 | or you are the only animal. |
| 0:43.4 | Who can think, who can reason, who can read. |
| 0:46.2 | Hi, this is Michael Silverblad, and this is Bookworm. |
| 0:49.4 | This week in the studio, I'm talking to Charles Palliser, the author of Quincunx. |
| 0:56.2 | It's a book published both in hardcover and paperback by Ballantyne. |
| 1:01.3 | He's the author, Two, of the forthcoming novel, The Sensationalist. |
| 1:06.1 | Queen Conx is a rather unusual book for several reasons. |
| 1:10.3 | One is that it is a Victorian novel. Another is that, |
| 1:17.6 | given the fact that it is a Victorian novel, it has been chosen as one of the five best books of the year by Time magazine |
| 1:25.6 | and has been celebrated on both sides of the ocean, the product of |
| 1:31.4 | 12 years intensive in reinventing the Victorian age. And I thought I'd begin by asking its author |
| 1:39.8 | Charles Palliser about that process of reconstitution. What did it entail? |
| 1:46.4 | Well, it meant reading an awful lot of Victorian fiction, which was something I, of course, enjoyed doing enormously. |
| 1:54.5 | And it was also part of my job because I was lecturing in English literature, specializing in Victorian fiction. |
| 2:01.6 | And it meant covering everything in order to reconstruct, |
| 2:06.8 | which is the term I sort of favour, |
| 2:11.5 | to reconstruct the language, form, assumptions and so on, |
| 2:16.9 | of a 19th century novel. |
| 2:18.3 | I wanted it to be as if the novel was written in about 1850, |
| 2:22.7 | and that meant things as kind of abstract and important, |
| 2:27.6 | but very intangible as getting the language right |
... |
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