Catherine Chinatree
Talk Art
Russell Tovey and Robert Diament c/o Independent Talent
4.6 • 1.2K Ratings
🗓️ 6 March 2026
⏱️ 68 minutes
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Summary
Catherine Chinatree is a socially engaged multi-disciplinary artist based in Margate. She works in various contexts, including in the public realm. Her work focuses on the idea of shared “reality,” with an emphasis on identity, dualism, and cultural fluidity. This exploration is supported by research in anthropology, social surrealism, and human behaviour.
Being of Welsh, Caribbean and Irish descent, she is deeply rooted in hybrid culture and seeks inspiration from the outside world of everyday life, our daily activities, symbolism, rituals, and the people she meets.
Chinatree’s recent series of works invites the viewers on a visual journey through the realms of personal and subcultures exploring ideas of youth, class, memory and nostalgia, it highlights optimism & transformative moments that can alter society.
Chinatree aims to evoke a palette that reflects the bass-heavy underground movement, artificial lighting and a sense of the unknown going hand in hand with the uncertainty of teenage years. At that time, pioneers of a new music genre looked to the future, with nods to outer space, and ideas of otherworldly beings, all of which are reflected in this work.
The Crystallisation of the urban experience is layered and sampled, reconnecting it with the present. Working-class youth - black, brown and white united to dance is a testament to sound system culture and the creation of a new reality reflecting urban Britain, black roots & experimental sounds.
With close ties to Leicester, Chinatree’s hometown, the work is supported by research and recordings from original attendees, event organisers, the venue’s history and future plans. Blending new footage, lived experiences and digital memories. Described by many as one of the darkest raves attended “Some shadow demon business”, the work illuminates its legacy.
Catherine Chinatree studied at Wimbledon College of Arts, graduating with a Masters in Fine Art. She was awarded the Ferdynand Zweig Arts travel Scholarship award, and set up a collaborative engagement project between the UK and Havana, Cuba. She has been shortlisted for the Mercury Music Arts Prize, Nasty Woman NYC and The Griffin x Elephant New Graduates Arts Prize. She completed an artist residency with Elephant Magazine and has been sponsored by Liquitex Paints. She was commissioned by Artquest for their 20th anniversary, which was subsequently displayed at UAL in Holborn, London.
Recently she was commissioned by Artist Globe for The World Reimagined project, which is on permanent show at the World Museum in Liverpool. She created a mural for Rise Up Residency Mural in Margate and as part of the Commemorative Installation Campaign, created a Tapestry for the UK Covid-19 Inquiry. She recently co created a billboard Artwork with Kent Refugee action network, and is a panelist for Artcry, supporting artists to make work in response to social and political events.
Follow @CatherineChinatree on Instagram.
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Transcript
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| 0:00.0 | Good afternoon, good morning, good evening. |
| 0:06.0 | Wherever you are in the world, I am Robert Diamant and you're listening to Talk Art. |
| 0:11.1 | Welcome to Talk Art. |
| 0:13.8 | Today we are coming to you from Margate. |
| 0:17.9 | I'm actually sat in the top of a building right off the high street and it's a famous kind of landmark in Margate, especially for the artistic community, because a lot of emerging and mid-career artists actually have their studios here. And it's called Crate. Also, we're next door to Limbo. These locations, Limbo and Crate, are both very significant for all artists |
| 0:39.4 | and the artistic community in Margate. They even have an exhibition program in both, actually. So if |
| 0:44.0 | you visited Margate, you probably will have seen amazing exhibitions that are hosted here. And I've |
| 0:49.2 | discovered many, many artists while living in Margate. And today, I am feeling like a luminous being. I'm also |
| 0:57.2 | feeling like an alien. And that's because I think as a creative person on all sides of the industry, |
| 1:04.2 | like if you think of it as an industry, it sounds very like Hollywood, doesn't it? The industry. |
| 1:08.7 | But I think sometimes we are all kind of aliens, like we're all outsiders. But also one of the things that has drawn me to today's guest work, but also to art generally, is the kind of luminosity that artists have, both within the language they use within their work, but also just as souls, as beings, |
| 1:29.1 | as individual aliens, if you like. Yeah, they kind of reach out to you, whether it be in my |
| 1:34.1 | teens when I used to listen to Tori Amos or Lauren Hill or whoever it might have been, |
| 1:39.3 | Erica Badoo. There are certain people that just have this kind of light that they share through |
| 1:43.6 | the music they make, through the art they make. |
| 1:46.0 | And I discovered today's guest work in a very unlikely place. |
| 1:49.7 | But it does give you a great lesson, if you like, about getting out there and showing your work. |
| 1:54.7 | Because the first time I ever saw today's guest work was actually in a coffee shop in Margate on the North Down Road in Cliftonville, |
| 2:01.4 | to be very specific about locations. But it's called Cliffs Coffee Shop. I saw these amazing |
| 2:06.1 | series of paintings, which are actually here in the studio with us now, relating to hair products |
| 2:11.8 | and specifically hair products used by black women and black community. And I remember just looking at these |
| 2:19.2 | paintings and they're almost like post-Andy Warhol or something because they're kind of like |
... |
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