4.8 • 1.5K Ratings
🗓️ 26 July 2019
⏱️ 79 minutes
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| 0:00.0 | Did you ever think, man, that rape scene from platoon should have been its own full-length movie? |
| 0:07.0 | No? Well, that sounds reasonable. I agree. No one wants that. |
| 0:11.0 | Let me ask you another. Have you at any point thought I wish Michael J Fox had been given more opportunity as a dramatic actor because his trademark reaction shot of dumbfounded exasperation would work just as well in a movie about wartime |
| 0:24.1 | atrocity as it does when he plays a teenage wherewolf. I bet you never thought |
| 0:28.9 | that either. So right off the bat, casualties of war answered a lot of questions no one asked. |
| 0:35.2 | But it didn't stop there. |
| 0:36.7 | Why didn't Jeff Spicoli and Alex P. Keaton ever appear on a special episode of LA Law? |
| 0:42.2 | Why doesn't Dale Die get more speaking parts? Did John C. Riley |
| 0:46.1 | look 54 when he was 24, or does he still look 24 now that he's 54? The real challenge here is that nobody wants to watch a movie about this. |
| 0:56.0 | It's based on the true story of what became known as the incident on Hill 192, which was the subject |
| 1:01.3 | of four courts marshal during the war and it really illustrates how the |
| 1:05.0 | Hollywood process of getting a film made can slowly go off the rails without anyone noticing |
| 1:09.7 | before it's too late. |
| 1:11.1 | You can easily picture the scene, a long conference table with 10 white guys in their 30s all wearing double-breasted gray suits with yellow paisly ties, the air redolent of hair gel, CK1, and last night's Bartles and James. |
| 1:24.2 | They need a Vietnam pick because those are hot, hot right now. |
| 1:28.3 | Somebody read a New Yorker article about the sadistic rape and murder of an innocent Vietnamese |
| 1:32.3 | girl and the subsequent wartime |
| 1:34.3 | cover-up that led to a handful of indictments and some slap-on-the-risk convictions, and that appeals |
| 1:39.2 | to their vanity as movie executives. |
| 1:41.2 | They are serious artists, not just making schlock. Hell, they're at least as smart as some dumb New Yorker writer. |
| 1:47.0 | Brian Napalm is attached. Anthony Michael Hall is cast as the sadistic sergeant and Ricky Schroeder as the kid with a conscience but both |
| 1:54.2 | drop out at the last minute. They try for Mel Gibson and Robert Downey Jr but |
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