Welcome to the

Great Detectives of Old-Time Radio. From Boise, Idaho, this is your host, Adam Graham.

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Now let's get into this week's episode of Casey Crime Photographer. The original air date is March

the 10th, 1949, and the title is The Scene of the Crom.

The wave that gives that natural look is T-O-M-I-Tony.

Tony, Tony, home permanent, the wave that gives that natural look brings you crime photographer.

Good evening, everyone. This is Bill Cullen, reading you for Tony, home permanent, and inviting

it to listen to another adventure of Casey Crime Photographer. Ace cameraman who covers the crime

news of a great city. Our adventure for tonight. Scene of the crime.

Good evening in the blue note cafe. But Casey, that's so funny. Look Casey, I don't want to be in the

blue note all my life. I'm only striving for self-improvement like the ad set. I am dissatisfied

with my present lot. That's fine. I admire you. And I guess there are a lot of things that you

can learn by correspondence course, but why did you pick on being a detective? She was Casey.

I want to be like you. Well, I'm flattered. Well, in that case, why does you take a

course at photography? Well, you see, Casey, I don't like to say this. I think you're a

lousy photographer. What? But I think you're a swell detective. I am the best confounded photographer

the express ever had. The way you go out and solve cases, the way you catch criminals, I think

...