4.8 • 1.4K Ratings
🗓️ 26 April 2023
⏱️ 66 minutes
🧾️ Download transcript
Team Deakins is happy to share our conversation with writer, director, and novelist Caroline Thompson (EDWARD SCISSORHANDS, BLACK BEAUTY, THE NIGHTMARE BEFORE CHRISTMAS). We talk about the life of a screenwriter and the commitment Caroline demonstrated throughout her career. Towards the end of our conversation, Caroline also shares some straightforward advice for young screenwriters and filmmakers. Enjoy the episode!
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This episode is sponsored by TrueCut Motion
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0:00.0 | Hi and welcome to season two of the Team Deakin's podcast. |
0:08.5 | A collection of informal conversations between Roger and James Deakin's and Aghast. |
0:14.4 | We never know where the conversation will take us, so listen in and see where it goes. |
0:22.4 | Today's podcast is being brought to you by True Cut Motion from Pixelworks. |
0:28.4 | True Cut Motion is an advanced motion grading technology that works seamlessly with both |
0:34.1 | theatrical and home streaming distribution, providing filmmakers with a broad new pallet |
0:40.4 | of motion looks previously not possible. |
0:43.9 | By unlocking tools for the adjustment of jutter, shutter angle, and speed ramps shot by |
0:49.5 | shot and post production, True Cut Motion gives the filmmaker unprecedented control of the |
0:56.5 | motion look of their work on any screen. |
1:03.1 | Today we're speaking with a novelist, screenwriter, and director. |
1:07.4 | She's written such scripts as Edward Siserhands, The Adam's Family, and welcome to Marwin, |
1:13.2 | and directed Black Beauty, Buddy, and Snow White, the Ferristh of them all. |
1:17.8 | We'd like to welcome Carolyn Thompson with us today. |
1:20.8 | Carolyn, thank you for doing this. |
1:22.4 | Thank you. |
1:23.4 | Thank you guys. |
1:24.4 | It's really great to be here. |
1:25.4 | I'd like to start with our question, how did you get to where you are today? |
1:28.8 | We know that you studied English and classic literature at Amherst, so was this something |
1:34.1 | you always wanted to do right? |
1:36.5 | Well, I suppose I wanted to write. |
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