Summary
Life after Death (Random House)
Carol Muske-Dukes began to write a dark comedy about death. Slowly, she discovered that compassion was reshaping her book, giving it depth and complexity...
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:05.0 | You are a human animal. |
| 0:10.0 | You are a very special breed. |
| 0:15.0 | Or you are the only animal. |
| 0:18.0 | Who can think, who can reason, who can read. |
| 0:22.4 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:27.1 | I'm very happy to be with my guest, Carol Muskie Dukes, who has published a new novel, |
| 0:32.3 | channeling Mark Twain, which is published by Random House. |
| 0:37.9 | And she is a poet as well as a novelist and an essayist as well as a poet and novelist. |
| 0:44.7 | And I want to leap right into the subject of the book because what I feel was so impressive |
| 0:53.1 | about this book. It's a book about a young woman named Holly who goes |
| 0:58.4 | to teach poetry at a woman's prison, the woman's house of detention on Rikers Island. But the novel |
| 1:06.5 | channeling Mark Twain succeeds in opening all of the political and aesthetic and ethical |
| 1:16.1 | questions that were raised in the late 1960s and have been not so much solved, but put to bed |
| 1:27.2 | or backburnered by the last 30 years or so. |
| 1:34.5 | And so as I read, I remembered what it was like to live in the anguish of being asked to take myself seriously. |
| 1:49.5 | The very first question that is raised, and it's raised in the first chapter, |
| 1:57.3 | Holly has gone to the prison, has had her first session with the inmates, and has brought back a poem from one of them, which she shows to a very well-respected poet at a dinner party, who laughs and says it's worthless. |
| 2:17.4 | It's not a poem at all. |
| 2:19.7 | And says that the entire question is whether in teaching poetry you are stimulating genius. |
| 2:29.8 | So the question becomes who is a poet? |
| 2:35.1 | That's correct. |
... |
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