Summary
The Tether (Farrar, Straus & Giroux); Pastoral (Gray Wolf)
Strongly influenced by the Metaphysical poets, Carl Phillips writes a mixture of erotic and devotional poetry...
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:07.0 | You are a human animal. |
| 0:11.3 | You are a very special breed. |
| 0:15.0 | Or you are the only animal. |
| 0:18.6 | Who can think, who can reason, who can read. |
| 0:22.2 | Hello and welcome to Bookworm. |
| 0:24.4 | This is Michael Silverblatt, and this week I'm very pleased to have as my guest, Carl Phillips, |
| 0:30.9 | whose most recent book, The Tather, has been published by Farras Strauss and Giroux, |
| 0:35.9 | his previous works, Pastoral, which was nominated |
| 0:41.1 | for the LA Times Book Prize, comes from Grey Wolf as do from the devotions and |
| 0:46.9 | Cortege. |
| 0:48.2 | His first book was in the blood. |
| 0:52.0 | And I wanted, I guess, to go about this in a sort of roundabout way. The first |
| 0:59.3 | thing I saw when I started reading your poetry was a quote from Juna Barnes as Nightwood. |
| 1:05.9 | And that is the unendurable is the beginning of the curve of joy. |
| 1:12.9 | I'm a great lover of Juna Barnes, and it seemed to me that what I found in the book |
| 1:20.9 | was an interest in a syntax like Juna Barnes'es that would wind and in a sense disappear, |
| 1:31.4 | that what is following very intently imagery and argument |
| 1:37.4 | through the rabbit hall into something beyond sense. |
| 1:42.9 | I suppose, I don't know if that comes from Juna Barnes, |
| 1:47.9 | but it is, it does seem to be something that's characteristic of the way I write. |
| 1:53.5 | And increasingly, someone was saying that the poems seem to hover over their own dissolution. |
... |
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