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Table Read

Caravaggio - Act 2

Table Read

Manifest Media / TABLE READ

Fiction, Tv & Film

4.0440 Ratings

🗓️ 17 February 2026

⏱️ 65 minutes

🧾️ Download transcript

Summary

Malta. A fortress carved from rock, surrounded by sea, ruled by warrior monks who pray at dawn and kill by noon.

Caravaggio arrives to paint a portrait. He stays because he has no choice. The Grand Master offers sanctuary, admiration, and something neither man is prepared to name. The Captain at Arms offers suspicion, jealousy, and a locked door every night.

Act Two is the cage. Beautiful. Suffocating. Holy.

Caravaggio paints the Grand Master's portrait and captures more than armor and scars. He captures a man's loneliness. The Knights throw a feast in his honor. He dances on tables. He is knighted with a gold sword. He is watched from every window.

Back in Rome, Cardinal Del Monte fights for a papal pardon while the Tomassoni brothers hire bounty hunters. The Pope dies. A new Pope rises. The Church still cannot decide what Caravaggio is worth.

On the beach, the Turks attack. Knights are nailed to crosses and set on fire, floated into the harbor at dawn. Caravaggio picks up a sword for the first time. He gives water to a dying boy. The boy is killed in front of him.

Flashbacks pull him back to Rome. To Lena. To the night Ranuccio came for him with a blade. To the moment that changed everything.

He paints The Beheading of Saint John the Baptist on a chapel wall and signs his name in the blood flowing from the saint's neck. The only painting he ever signed.

Then he paints a Cupid so grotesque it seals his fate.

Act Two is devotion. Desire. Betrayal. The moment a man realizes that the sanctuary he was promised is just a prison with better art on the walls.

The fuse is burning.

Cast

Dennis Kleinman · Narrator

Craig Parker · Caravaggio

Dan Lauria · Cardinal Del Monte

Bruce Davison · Alof de Wignacourt

Shaan Sharma · Stefano della Croce

Catherine Lidstone · Lena

Sarah Elmaleh · Maria

Brendan Bradley · Annibale Carracci

Noah James · Ranuccio Tomassoni

Josh Sterling · Ottavio Tomassoni

Zeke Alton · Giovan Tomassoni

Nick Monteleone · Mancini

Matt Curtin · Toppa

Bjorn Johnson · Pope Paul V

Ray Abruzzo · Pope Clement VIII


Written by

Richard Vetere


Executive Produced by

Jack Levy, Shaan Sharma, and Mark Knell


Table Read is a Manifest Media production.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Transcript

Click on a timestamp to play from that location

0:00.0

After searching for a model in the Garden of Evil in Rome,

0:08.0

where prostitutes sell themselves in the open in Rome,

0:11.0

Caravaggio and his friends spend a drunken night in the Piazza della Popolo's chapel

0:17.0

to spy on anebler Karachi's submission to the Vatican's important contest.

0:22.6

Karavaggio finds Karachi in the church, doing the same thing he is, and knows Karachi will win the

0:28.4

commission.

0:29.7

Karavaggio and his friends then visit a brothel, where at dawn he runs into Renuccio Tomasone,

0:35.5

who demands Karavaggio pay him a debt he owes.

0:38.3

Caravaggio refuses, and both men make an oath to one day spill the other's blood in the piazza.

0:45.3

The story flashes forward two weeks later, as Caravaggio sneaks out of Rome in the dead of night on a ship to Malta

0:52.3

to paint the Grand Master's portrait.

0:55.0

We learn in scenes back in Rome with Cardinal Del Monte and the Pope that Caravaggio has gone into exile to escape punishment for murder.

1:04.0

On Malta, Caravaggio is threatened by the Inquisition.

1:08.0

Interior, inner sanctum, dawn.

1:12.1

Caravaggio faces Aalov, who is dressed in full body armor,

1:15.8

holding a staff with a long sword on his belt, and Roberto at his side.

1:20.2

Is the light satisfactory?

1:22.7

Yes, yes, it is.

1:24.4

Is that what you intend to wear?

1:26.7

Yes.

1:30.3

Does it mean with your approval? Karavaggio moves around Aalov, inspects the armor and touches Aalov who flinches in pain.

1:36.3

Karavaggio does not react.

...

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