Can We Justify Justin Timberlake's Justified? (with Rachel Brodsky) (Patreon Preview)
Pop Pantheon
DJ Louie XIV
4.7 • 630 Ratings
🗓️ 19 February 2024
⏱️ 13 minutes
🧾️ Download transcript
Summary
In a preview of this week's Pop Pantheon: All Access episode, as we gear up for Justin Timberlake's sixth studio album Everything I Thought I Was, due in March, DJ Louie and writer Rachel Brodsky gather to reflect on his debut, 2002's Justified. The two parse out how Justin's public profile nosedive has impacted the public's experience of this music, whether it's possible to enjoy this album in vacuum, and If perhaps there's been an overcorrection on Timberlake in recent years that ignores some of delights of his peak work.
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Transcript
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| 0:00.0 | Hey y'all, DJ Louie here, just dropping a snippet of this week's Pop Panty on All Access episode |
| 0:03.8 | in which myself and writer Rachel Brodsky are taking a look back at Justin Timberlake's debut solo album, Justified, which came out in 2002, on the eve of the release of his newest album, Everything I Thought I Was, which comes out on March 15th. In this conversation, Rachel and I get into so many interesting topics about this music, how we thought about it at the time, how we think about it now, how Justin's nosedive of a public profile has |
| 0:26.2 | affected how we view his peak era music, and so many more interesting topics. So if you enjoy this |
| 0:32.8 | snippet, you can listen to the rest of the episode, plus weekly bonus episodes of this show |
| 0:36.4 | by going to patreon.com slash pop pantheon or by clicking the link in the show notes of this episode. So without further ado, here is a snippet of my conversation with Rachel Brodsky. Okay, so I'm here with freelance music and culture writer and host of the InSync podcast, Rachel Brodsky, Rachel, welcome to the show. Hi, thank you for having me. It's my pleasure |
| 0:55.0 | to have you, and I'm super excited for the conversation that we're going to have today. I was |
| 0:59.8 | honestly already excited to have it just because we're obviously on the eve of new Justin Timberlake |
| 1:05.5 | music, his next record. Everything I thought I was drops on March 15th, which is exactly one month from today. |
| 1:13.3 | So we're currently in the midst of having to reckon once again, as we have many times in the |
| 1:18.7 | past with Justin Timberlake, with his legacy, having to intersect with him again and trying |
| 1:23.6 | to figure out what we feel about him as a body politic of pop consumers, I guess. |
| 1:28.5 | And so I went into this, having just sort of gone through the experience of listening to his new |
| 1:34.4 | single selfish, feeling kind of underwhelmed by it, feeling the general feeling, I guess, |
| 1:40.6 | that I've mostly experienced with Justin Timberlake, I'd say, in the last probably, |
| 1:44.6 | mostly like eight years, but to some degree, I think since the 2020 experience of 2013, which was, |
| 1:50.1 | I feel like a lot of the fizz, a lot of the tension, a lot of the excitement that he generated, again, |
| 1:57.4 | in ways that I wonder looking back, whether it was warranted or not, and we'll talk about |
| 2:01.2 | that in this conversation, was just kind of gone. And I sort of experienced Justin Timberlake |
| 2:05.6 | now as kind of just like embarrassing a little bit, a little bit dad, a little bit out of touch, |
| 2:11.4 | out of step, no cool factor, funny duddy, literally out of step. Literally out of step in some |
| 2:17.2 | instances, which like is, you know, |
| 2:18.6 | indirect competition with like the way that we used to see him as somebody that was like a pretty |
... |
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