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Story Grid Writing Podcast

Can Story Grid improve on Masterworks?

Story Grid Writing Podcast

Shawn Coyne

Books, Language Learning, Authors, Education, Story, Publishing, Arts, Creativity, Writing, Fiction Writing

4.8767 Ratings

🗓️ 29 July 2021

⏱️ 25 minutes

🧾️ Download transcript

Summary

A listener asks a bold question: Can the Story Grid tools and methodology make the Masterworks we read and love better? Shawn has a great answer for this week's question.

Transcript

Click on a timestamp to play from that location

0:00.0

Hello and welcome to the Storygrid podcast. This is a show dedicated to helping you become a better

0:05.5

writer. I'm your host Tim Graal and I'm a writer in the Storygrid universe. Joining me shortly as

0:11.2

Sean Coyne, he is the creator of Story Grid, the author of the book Story Grid and an editor with

0:16.1

over 30 years experience. In this episode, we continue our discussion about Masterworks, and we talk about

0:23.3

looking at Masterworks through this lens of StoryGrid, and we have a great listener question about

0:30.5

can you use StoryGrid to even upgrade Masterworks? So it's an interesting question. Sean has a

0:37.4

really good answer for it. So I think you'll

0:39.0

enjoy this episode. So let's jump in and get started. So Sean, this question this week is from

0:44.8

Brandon. And I picked this one because last week we talked about how to know, you know,

0:50.2

what defines a masterwork, how to select masterworks. And Brandon asked,

0:54.4

how can StoryGrid improve a masterwork? I could be wrong, but my guess would be that even

0:59.4

masterworks do not always hit every storytelling principle perfectly, whether it be a value

1:04.5

shift, spreadsheet component, Heroes Journey 2.0 event, or StoryGrid Trinity principle. I think it would

1:10.3

be tremendously helpful for writers to hear Sean examine how some

1:14.2

masterworks could even be made better by studying them from the standpoint of like,

1:19.7

what are they even missing?

1:22.3

Well, that really speaks very specifically to the current work that I'm doing.

1:30.0

Because the kind of like the thing that I've been reaching for, you know,

1:35.6

and it always eludes my grasp, is what I would call the objective evaluation of story

1:43.4

at a level that requires, it's almost Deridiyan, if that's a word,

1:49.6

that requires no subjective reading into. This all goes to this concept that is called the

1:56.5

Storygrid Trinity, which is about the fundamental foundational components of storytelling.

...

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