Can Gen-Z Beauty Brands Grow Up?
The Business of Fashion Podcast
The Business of Fashion
4.5 • 813 Ratings
🗓️ 1 October 2025
⏱️ 25 minutes
🧾️ Download transcript
Summary
Brands like Bubble, Starface and Byoma rode TikTok-native aesthetics to win Gen-Z hearts and Sephora shelf space with plush mascots, playful stickers and sensorial jelly textures. Founders close in age to their audience moved fast, crowd-sourced ideas and mastered algorithms. Now the oldest Gen Z consumers are nearing 30 and looking for fewer gimmicks and more proof that formulas work.
In this episode, senior beauty correspondent Daniela Morosini unpacks what still resonates, where the “dopamine” look carries a credibility tax, and why channel strategy, product performance and smart casting matter more than ever.
Key Insights:
- Gen Z brands broke through by moving at internet speed and co-creating with their audience. “These brands are all just so digitally native… and for a lot of them the founders were quite young themselves,” says Morosini. They were “small, scrappy businesses [with] shorter product launch cycles [and] really savvy marketing.” Crucially, they “did a lot of crowdsourcing, social listening, and were really plugged into internet forums,” so products felt made with, not just for, their audience.
- The ‘fun’ factor worked best online as visuals drove discovery: “Goopy, gloopy, sticky things… look good in a video. You see someone put that on their face and then you want to try it.” At the same time, expectations have climbed as “people are really quick to reject a product if it doesn’t perform exactly the way they want.” And bright, playful packaging can backfire for results-seekers: “Colourful, bright things we associate with play, silliness, youth and frivolity… you might think, ‘this is not a serious product.’”
- If stalwarts like Neutrogena and Clearasil have long dominated the teen aisle, why can’t today’s Gen-Z-first labels simply stay youth brands rather than trying to age up? As Morosini puts it, legacy names “have definitely ceded market share to some of these newer indies… these are brands you can find in every drugstore… [they’re] most teens’ or tweens’ introduction to the beauty category.” But “those brands are not cool,” and the Gen-Z pioneers “really want to be cool… and relevant,” not just “the thing that your mum might pick up… when you’re complaining about having a spot.” The challenge is clear: “it’s hard to be both legacy and cool.”
- Some labels are widening reach by changing where and what they sell. “Byoma went into some more premium retail pretty quickly,” Morosini notes, adding that “retailers really function as a marketing engine.” Others are broadening beyond a single hero. Ultimately, Morisini says survival hinges on utility. “It will come down to the brands that truly have replenishable products differentiated enough, at the right price point, and genuinely offer unique enough results that people will continue to return to them once any maybe the noise around the texture or the packaging has died down.”
Additional Resources:
- Bubble Was Built on Gen Z. Now, It Must Grow Up. | BoF
- The Gen-Z Whisperer: How Julie Schott Made Acne a Laughing Matter | BoF
- How to Keep the Gen-Z Fragrance Boom Going | BoF
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Transcript
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| 0:00.0 | Hello and welcome to the debrief from the business of fashion where each week we delve |
| 0:11.8 | into our most popular B-O-F professional stories with the correspondence who created them. |
| 0:16.6 | I'm senior correspondent, Sheena Butler Young. |
| 0:19.2 | And I'm executive editor Brian Baskin. Stickers, jelly textures, Sheena Butler Young. And I'm executive editor, Brian Baskin. |
| 0:22.0 | Stickers, jelly textures, plushy mascots. |
| 0:25.7 | The Gen Z beauty era taught brands how to win over teens on TikTok and at Sephora. |
| 0:31.1 | But Gen Z is growing up and as the oldest in that generation approaches 30, yes, 30, they want fewer gimmicks and more formulas |
| 0:39.9 | that work. Brands like Bubble, Starface, and Bioma have been at the forefront of Gen Z Beauty, |
| 0:45.7 | but can a brand built for teens become a cross-generational success story? For Bubble, at least, |
| 0:51.0 | the answer somehow involves Leighton Meister. We'll get into that. |
| 1:12.1 | To break it down, we're joined by the author of this week's piece, Senior B-O-F Beauty Correspondent, Daniela Morosini. Daniela, welcome back to the debrief. Hi, I'm here for the plushy mascots only. That's what we're going to talk about. I'm with it. The fact that they're almost 30 is already stressing me out. But I want to start with before this grow up moment that we're seeing, what made Gen Z brands like Bubble, like Starface like |
| 1:17.2 | Bayoma, so popular? What was their selling point? These brands are all just so digitally native. |
| 1:22.8 | And I think for a lot of them, the founders were actually quite young themselves. They weren't |
| 1:26.0 | necessarily teens, but these were founded by people maybe in their late 20s, early 30s. So they were not so kind of divorced from the customer base that they were trying to reach. They were small, scrappy businesses. They had shorter product launch cycles, really savvy marketing. You know, think about the D to C boom that saw those brands like, I don't know, Bobby Parker and away, you know, they were really quick off the mark. And so they were able to |
| 1:48.3 | figure out something that was trending, understand the algorithm. And they also did a lot of |
| 1:53.0 | crowdsourcing as well. Like all of these brands did a lot of kind of social listening and being |
| 1:57.1 | really plugged into internet forums. So the brands kind of ended up being for Gen Z, |
| 2:02.1 | almost by Gen Z, or at least by founders who were not a great deal older than them, I should say. |
| 2:07.9 | That makes a lot of sense. Okay, so I get how something like a mascot, like the plushies, |
| 2:12.3 | fit into that, but like how do some of the other products I mentioned, like the jelly textures, |
| 2:16.2 | the stickers, I I mean why did that |
| 2:18.3 | take hold in this environment I think it's a lot of it is just down to visual appeal or other kind |
... |
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