Cameras
Let's Know Things
Colin Wright
4.8 • 593 Ratings
🗓️ 8 January 2019
⏱️ 37 minutes
🧾️ Download transcript
Summary
This week we talk about selfies, the Daguerrotype, and smartphone cameras.
We also discuss film, Kodak, and the perception of captured reality.
This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe
Transcript
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| 0:00.0 | The first ever selfie was taken in 1839 by an early American photographer named Robert Cornelius. |
| 0:22.9 | And when I say early, I mean this guy was one of the first ever people to take a portrait. |
| 0:28.1 | There were a few photos taken before his that technically included people, but those people |
| 0:32.7 | were generally fuzzy parts of a larger landscape. |
| 0:37.1 | The Deggerotype, which was the first publicly available |
| 0:39.6 | photographic process and the only real option for taking photos for about 20 years after its invention, |
| 0:46.4 | was only invented that very year in 1839. So Cornelius got himself one of these devices, |
| 0:52.7 | figured out how to process the resulting images, |
| 0:55.6 | and captured an image of himself. |
| 0:57.8 | Five years before Louis de Guerre, the inventor of the diaryotype, would have a portrait taken of himself with his own invention. |
| 1:06.4 | The de Garotype was a relatively simple machine and made use of a natural phenomena called |
| 1:11.2 | Camera Obscura, which is also sometimes referred to as a pinhole image. |
| 1:16.3 | This technique for capturing a natural scene was used by Renaissance-era painters at times, |
| 1:21.7 | to plot out images onto a canvas by poking a hole in a box or a tent, |
| 1:26.4 | and then allowing the photons, the light from |
| 1:29.3 | outside, to cast an image of whatever was outside the box onto a surface inside the tent. |
| 1:35.8 | The pinhole focused the external light, like a projector. |
| 1:39.6 | Now, the resultant image was inverted. |
| 1:41.9 | It would be upside down, but this allowed them to project an image of what was outside the tent in three dimensions onto a flat surface, which they could then trace onto a canvas to get its shape, and then they'd take that outline, flip it so it was right side up, and then paint it as usual. |
| 1:57.0 | This same concept was used for the daguerreotype, but instead of using that pinhole |
| 2:01.9 | projection effect, that camera obscura, to capture an image by tracing it, he built a box with a |
| 2:08.3 | pinhole in it that would project the image onto a photosensitive plate, a plate that was |
... |
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