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The Treatment

Callie Khouri: Nashville

The Treatment

KCRW

Arts

4.6639 Ratings

🗓️ 3 April 2013

⏱️ 29 minutes

🧾️ Download transcript

Summary

Elvis talks to Oscar winning screenwriter Callie Khouri, creator of the ABC series "Nashville."

Transcript

Click on a timestamp to play from that location

0:00.0

From KCRW Santa Monica and KCRW.com, this is The Treatment.

0:14.8

Welcome to The Treatment.

0:15.9

I'm talking to my guest, Callie Corey, whose newest project, she created an executive

0:20.1

produce of Nashville on ABC,

0:21.9

but she was last year for a film, Divine Secrets of the Yaya Sisterhood. We, of course,

0:26.2

this is the 21st birthday of your Oscar for Thelwyn-Louise. It is. It is. Oh, my God.

0:32.9

You won't in 92, right? Wow. Yes. Boy, that went fast.

0:38.6

Well, Nashville's going fast, too.

0:40.2

And as I was telling you, just before we got to start, when I saw your name on this, I knew I had to have you on.

0:44.6

Because what's always so much fun about what you do is the way you write people reaching for power.

0:50.9

And it's so interesting. We look at all the things you've done, these kinds of shifts, be it something to talk about or Yaya Sisterhood or even definitely Nashville, the way people fight for power. And I'm wondering if that's something that you thought about from the very beginning.

1:04.9

I don't think it's anything I do consciously, but I do think that life really is a power struggle.

1:16.5

And so it ends up coming into everything I do just a little bit, especially, you know,

1:24.3

as you said, 21, 22 years in this business, you know, you do see, like over the course of many years, you see people who are here to stay you see people who

1:28.5

come in with a bang and

1:30.7

then fade away and

1:33.2

and so i just always think that that's such an interesting aspect of

1:37.6

this business and the music business is is a parallel

1:41.5

and so i thought it would be a great thing to write about, especially in terms of

1:45.9

what's happening in both the film business and the music business right now. We're catching

1:51.7

it at a time where everything's shifting. We're in a period of interregnum where we don't know

2:00.0

what the future is going to be, but the old models

...

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