Finally tonight, a story from the PBS News Student Reporting Labs, our journalism training program for high school students.

As part of our canvas coverage, we featured some of the work from the Southern California PST Art Initiative that examines how science and art collide.

Student reporter Ebony Shelley has now the story of two exhibitions at the Academy Museum of Motion Pictures

that are part of PST and explore the relationship between movies and technology.

I often say that color is interesting because if it's done right, you don't notice it. You are

perceiving it and it's impacting you. It's not being drawn attention to.

And so one of the things that we really hope with the exhibition is that it gives people a new

understanding of what they're seeing on screen.

The Academy Museum in Los Angeles, California is exploring the intersectionality of movies and technology as part of the PSTR initiative

with two exhibitions. Color in Motion shows the history and subtlety of a color palette.

You know, we wanted to show people the intention behind color, how it really is an art form in itself,

and one of the kind of hidden arts of cinema.

So the gallery in which we show all the costumes and props, we're showing Technicolor

to present because we're showing how color in front of the camera really impacted people's

processes.

We have Natalie Calmus, who's the color director, and she's really influencing the color palette

of a movie.

And so we see her name on a lot of technicolor films,

so you'll see her doing Blizzard of Oz or movies,

really notable technical colors from that era.

She's the one who's responsible for setting those pallets.

You see a lot of super saturated, really vivid color films,

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