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0:00.0 | You are a human animal. |
0:07.5 | You are a very special breed, |
0:11.6 | for you are the only animal. |
0:15.1 | Who can think, who can reason, who can read. |
0:19.3 | Hello and welcome to Bookworm. |
0:21.2 | I'm Michael Silverblatt. |
0:22.9 | Today my guest is Calvin Beedian. |
0:25.4 | Calbedient. |
0:26.1 | He's the author of Candy Necklace, |
0:28.5 | a book of poetry that has been published recently |
0:30.8 | by Wesleyan University Press. |
0:33.5 | He is also an ongoing critic |
0:36.6 | of contemporary American poetry, and it's been my surprise since I met him around a year ago to find how incisive and cocky and funny and thrilling his criticism is. But this has been known by others for a long time. |
0:58.4 | The fact is that he has published his first book of poetry. |
1:02.8 | It is really a remarkable debut. |
1:07.4 | I wanted to ask what it took to go from the critical act to writing and then publishing the poems that you write. |
1:18.7 | Well, it took a daring, it took an act of faith. I had written, excuse me, had written some poems in the 1970s, which I was unsatisfied with and finally abandoned. |
1:30.7 | And looking back on them recently, I saw that I was right to do that. |
1:36.3 | But in 1990, I was doing some research on Catatonia because they thought maybe that Bartleby's |
1:44.6 | Grvener, Melville's story, could be partially accounted for by the pathological type of |
1:52.4 | the catatonic. |
1:54.3 | And I looked into a book called Catatonia by the 19th century German doctor who named the disease. It had formerly |
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