In Part 1 of 30 for 30, we heard about the formation of key ideas, the assembly of a small

documentary production group inside ESPN, and prestigious filmmakers moving forward with

a slate of eclectic ideas. But the highly

competitive and political nature of ESPN reared its head and it wasn't pretty. In fact,

a claim, awards, or whatever, that wing of the company was intent on preventing

30 from continuing.

I had always been scared as we were making the series that

some of these are going to bomb.

And I better have more than 30 in production as just a safety net, right?

Just like, hey, nobody bats a thousand so if this project goes totally sideways or we have to kill it or

something happens like we better have this two three four more ready to go because

this will probably happen a lot and so we had some really interesting films that we

were still making and I don't think anyone

thought it wasn't working and thought, okay, you need to walk away from this.

We just started to say, okay, these documentaries are going to be called ESPN Films Presents, the Fab Five, and that was the first one we did after the series had ended.

And look, what happened was exactly what you would have expected happened had you not been literally sitting inside the place

Obsessing over this all of our fans just called them 30 for 30s.

And it took us a little while, maybe a little longer

than we should have to kind of go back to the brand.

We put together an argument for why we should

create a second slate of 30 films and call it

30 for 30 volume 2.

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