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60 Songs That Explain the '90s

“Buy U a Drank”— T-Pain

60 Songs That Explain the '90s

The Ringer

Music

4.7849 Ratings

🗓️ 4 February 2026

⏱️ 102 minutes

🧾️ Download transcript

Summary

At long last, Rob has returned to your speakers and screens, triumphant in the face of his haters. In this way, he is no different than the subject of today’s episode: T-Pain. Even though he wrote, produced, and performed some of the greatest hits of the 2000s, T-Pain’s use of auto-tune overshadowed his talent. However, after his 2014 Tiny Desk Concert, it is safe to say we all owe T-Pain an apology (and a drank). Finally, Rob talks to The Ringer’s Tyler Parker, who speaks to the shock of hearing “I’m n Luv (wit a Stripper)” for the first time and becoming fascinated with T-Pain’s style and his version of the club. Host: Rob Harvilla Guest: Tyler Parker Producers: Justin Sayle and Olivia Crerie Additional Video Editing: Kevin Pooler Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

New Year, New Groove, new you, new brew.

0:03.0

Craving a little something to fill your cup,

0:06.0

pistachio flavors are back at Starbucks.

0:09.0

Rich, nutty, creamy, and handcrafted to your taste.

0:12.0

Rewrite your ritual with our new iced pistachio Machilate.

0:16.0

Rediscover our iconic pistachio velvet oat latte.

0:20.0

We're serving pistachio flavor sips to brighten winter days.

0:24.1

Start your next chapter with pistachio.

0:26.3

Pouring now at Starbucks, subject to availability while stocks last.

0:31.2

300 years of expertise in every twining sleep blend.

0:37.1

100 hours of craft in every cup.

0:40.3

Eight natural ingredients in every sip.

0:44.3

One night of winding down in every drop.

0:48.3

Your moment of serenity.

0:51.3

Brought to you by twining sleep.

0:55.3

Twinings.

0:57.9

Alive in every drop.

1:14.7

It's her little smile right before she starts singing. That's what gets me every time.

1:21.7

It's not a huge theatrical grin. It's not a smirk. It's not contrived. It's not performative. It is a tiny, life-affirmingly human gesture in a sea of smug, blaring, bleached teeth artifice. The proverbial

1:31.8

eyes of the world are upon her, but her smile is directed inward, not outward. She's smiling for

1:38.4

herself. And it's a smile of eagerness, of delight, of unembarrassed excitement.

1:45.3

It's a smile that says, oh boy, oh boy, oh boy.

...

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