Bumper September Bonus Episode
The Shit No One Tells You About Writing
Bianca Marais, Carly Watters and CeCe Lyra
4.8 • 733 Ratings
🗓️ 30 September 2024
⏱️ 100 minutes
🧾️ Download transcript
Summary
In this month’s bonus episode, Bianca interviews Reese's book pick and best-selling author Marissa Stapley, to discuss her latest, The Lightning Bottles. They chat about the genesis of the novel; taking your time writing and the beauty that lies in the process of creating; the inspiration behind Marissa's protagonist; why she chose specific characters as POV characters; how Marissa managed to work in a prologue that was from a younger person's perspective without it reading like YA; the challenges of writing a book after experiencing major success; working with multiple editors at the same time; and advice for when a manuscript just isn't working.
After which, Bianca chats with Amy Shoenthal, author of the non-fiction work, The Setback Cycle. They discuss the journey to publication as a collection of setbacks; getting a book deal without having a huge platform; persevering despite rejections and learning from them; how to market yourself amidst insecurities; Amy's thought process and research for her work; the process of working with and interviewing experts; how Amy came up with the idea and key ideas for her work; the differences between writing journalistic pieces versus writing a book; being prepared to talk about yourself as an author; and how Amy marketed herself and her book.
Bianca then interviews Frances White, author of the adult fantasy novel, Voyage of the Damned. They discuss Frances's journey to publication and the manuscripts that didn't quite make it there; writing for yourself rather than ticking boxes for publishers; the world-building that Frances did for her novel; working with a large cast of characters; the importance of representation and using sensitivity readers; the crossover potential of Frances's novel; and writing the voicey-ness of the main character.
If you’re looking for our usual Q&A segment, that now gets published as part of our end of the month Substack newsletter. Subscribe to get access to that, and so much more: https://theshitaboutwriting.substack.com/
Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/
https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and ww.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To ask us a question, go to: https://sayhi.chat/TSNOTYAW
You can find out more information about Marissa on her website at https://marissastapley.com
She's also on Instagram at https://www.instagram.com/marissastapley
and Facebook at https://www.facebook.com/MarissaStapleyAuthor
You can find out more information about Amy on her website at https://www.amyshoenthal.com/
She's also on Instagram at https://www.amyshoenthal.com/
You can find out more information about Frances on her website at https://www.frances-writes.com/
She's also on Instagram at https://www.instagram.com/franceswhiteauthor and Twitter at https://x.com/Frances_Writes
To register for CeCe’s upcoming Hacking Writing on A Line Level course, go to https://us02web.zoom.us/webinar/register/WN_xDo7-fz8Q-GrnyE6Nw41qA#/registration
Carly's course for writers, The Author's Publishing Playbook, is available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15
To sign up for the Beta Reader Match Up, go to https://www.biancamarais.com/beta-reader-match-up.html
Our Sponsors:
* Check out Acorns: https://acorns.com/TSNOTYAW
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Advertising Inquiries: https://redcircle.com/brands
Transcript
Click on a timestamp to play from that location
| 0:00.0 | It's a new year and time to get fresh eyes on your work in progress. |
| 0:04.8 | Are you looking for beta readers, some of whom might potentially become writing group members |
| 0:09.2 | down the line? |
| 0:10.2 | Are you wanting to be matched up with those writing in a similar genre and or time |
| 0:15.0 | zone so they can critique your work as you critique theirs at the same time? |
| 0:19.5 | Your manuscript doesn't have to be complete to sign up |
| 0:22.1 | for this 3,000 word evaluation. This matchup will be open to registrations from now until the |
| 0:28.5 | 2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day. |
| 0:35.4 | For more information and to register, go to Bianca Moray.com and go to |
| 0:39.7 | the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this |
| 0:45.7 | time. The more writers we have signed up, the better the matches will be. Hello from CC. |
| 0:52.6 | I'm so excited to announce an all new class called Starting It |
| 0:56.4 | Right, which is all about how to begin your story in the best place and in the best way. Now, |
| 1:01.6 | this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different |
| 1:06.9 | types of beginnings and how to choose the best one for your story, how to frame your |
| 1:11.6 | inciting incident in a compelling way, common mistakes writers make when starting a story, |
| 1:17.3 | how to balance exposition and mystery, how to make readers connect with your protagonist, and how |
| 1:23.6 | to make the reader want to turn to the next chapter and so much more. |
| 1:28.3 | And guess what? |
| 1:29.3 | For the first time ever, there will be an interactive component to my class. |
| 1:34.3 | Everyone who is registered will have the option of sending in the opening scene of their work |
| 1:40.3 | for a chance to be critiqued during the webinar. |
... |
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