Bumper February Bonus Episode

The Shit No One Tells You About Writing

Bianca Marais, Carly Watters and CeCe Lyra

How To, Books, Education, Fiction, Arts

4.8 • 733 Ratings

🗓️ 26 February 2024

⏱️ 141 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

In today's Bumper February Bonus Episode, Bianca kicks it off by interviewing interviews tech anthropologist and author, Nikki Payne. They discuss her latest novel, Sex, Lies, and Sensibility, a retelling of the classic, Sense and Sensibility; how Nikki approached writing her retelling, one which specifically centred diversity; decentering whiteness in the romance genre; Nikki's experience using sensitivity readers; how much 'shorthand' you can use when writing a retelling; reframing scandal in the modern world; and Nikki's clever way of introducing backstory.

After which Bianca interviews author Jessica Bull, author Miss Austen Investigates. They discuss Jessica's inspiration for her series and her journey to publication; the length of her work and how she pitched it with series potential; the process of writing real characters while also making up other aspects to the novel; how creating a ticking time bomb helped Jessica in creating tension and upping the stakes; and how Jessica managed to straddle genres when writing.

Then, Bianca interviews returning guest, Samantha M. Bailey, author of Woman on the Edge and Watch Out for Her. They discuss Samantha's latest novel, A Friend in the Dark; the myth that novel writing becomes easier with each new book; the new challenges that Samantha faced in her latest novel; how she successfully broke the rules with her prologue; making the opening pages compelling even though the protagonist is alone for most of them; when you purposefully leave out a second POV in the novel’s flap copy; and why she chose to structure her characters' interactions partially through DMs on Facebook.

Finally, Emilie Sommer of East City Bookshop provides the invaluable service of suggesting comp titles to our listeners.

If you’re looking for our usual Q&A segment, that now gets published as part of our end of the month Substack newsletter. Subscribe to get access to that, and so much more, for free: https://theshitaboutwriting.substack.com/

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and ww.cecilialyra.com

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To ask a question, go to: https://sayhi.chat/TSNOTYAW

To connect with Emilie Sommer go to https://www.instagram.com/emiliegsommer/ and you can find East City Bookshop at https://www.instagram.com/eastcitybookshop/

More information about Nikki can be found at: https://www.nikkipaynebooks.com/

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Transcript

Click on a timestamp to play from that location

0:00.0	It's a new year and time to get fresh eyes on your work in progress.
0:04.8	Are you looking for beta readers, some of whom might potentially become writing group members
0:09.2	down the line?
0:10.2	Are you wanting to be matched up with those writing in a similar genre and or time
0:15.0	zone so they can critique your work as you critique theirs at the same time?
0:19.5	Your manuscript doesn't have to be complete to sign up
0:22.1	for this 3,000 word evaluation. This matchup will be open to registrations from now until the
0:28.5	2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day.
0:35.4	For more information and to register, go to Bianca Moray.com and go to
0:39.7	the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this
0:45.7	time. The more writers we have signed up, the better the matches will be. Hello from CC.
0:52.6	I'm so excited to announce an all new class called Starting It
0:56.4	Right, which is all about how to begin your story in the best place and in the best way. Now,
1:01.6	this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different
1:06.9	types of beginnings and how to choose the best one for your story, how to frame your
1:11.6	inciting incident in a compelling way, common mistakes writers make when starting a story,
1:17.3	how to balance exposition and mystery, how to make readers connect with your protagonist, and how
1:23.6	to make the reader want to turn to the next chapter and so much more.
1:28.3	And guess what?
1:29.3	For the first time ever, there will be an interactive component to my class.
1:34.3	Everyone who is registered will have the option of sending in the opening scene of their work
1:40.3	for a chance to be critiqued during the webinar.
	...

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