4.6 • 601 Ratings
🗓️ 10 June 2024
⏱️ 21 minutes
🧾️ Download transcript
What is it like to build an Oscar-winning film set on one of the most meticulously-designed action movies of all time? Jacinta Leong did just that on Mad Max: Fury Road, and she’s back again as an art director on Furiosa, which is out now in theatres. Director George Miller’s prequel to Fury Road, starring Anya Taylor-Joy and Chris Hemsworth, is set in the same desert wasteland as the previous Mad Max movies. It also repurposes many of the same machines in Fury Road. Jacinta brings us behind the scenes, and tells us how the creative team built them.
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Links (all FT links get you past the paywall):
– The FT’s review of Furiosa is here: https://on.ft.com/4bRJue4
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0:00.0 | Welcome to Life and Art from F.T. Weekend. I'm Lila Raptopoulos. |
0:07.2 | The film Furiosa, a Mad Max saga, is one of the most anticipated films of the summer. |
0:13.9 | It's the fifth installment of George Miller's ambitious Mad Mac series, and it stars Anya Taylor Joy and Chris Hemsworth. |
0:22.8 | It's also the prequel to the 2015 film Fury Road, which is considered one of the greatest action films of all time. |
0:29.0 | Fury Road is set in a post-apocalyptic Red Desert Wasteland. The wasteland is filthy and |
0:35.6 | honestly spectacular. There are steampunk bandits and biker gangs, and they drive these sophisticated |
0:41.6 | junkyard vehicles that double as weapons. |
0:44.6 | The film is also deliberately vague about how this place came to be. |
0:49.7 | Furiosa, the prequel, is specific. |
0:52.8 | It tells us the backstory of this world and and of its heroine, and of the warlords within it, |
0:58.8 | who are fighting for power and natural resources. |
1:02.5 | As a child, my world was forever changed. |
1:07.8 | My mother was magnificent. |
1:13.9 | And he took it all from me. |
1:18.9 | What do we have here? |
1:22.8 | Today I am thrilled to be speaking with one of the people who helped create this award-winning world in both films. It's art director, Jacinta Leong, who is joining us from Melbourne, Australia. Jacinta, hi, welcome to the show. Thank you, Lila. It's a pleasure to be here. I're so happy to have you. It's 6 a.m. there also, so we're grateful for you to take the time. It's okay. It's just |
1:46.6 | like an early morning crew call. Crew call, yeah. So I wanted to start by asking something I know |
1:54.9 | that you have been asked before, but I think it would be helpful for listeners, which is what is |
1:59.9 | an art director and what was is what is an art director? |
2:04.5 | And what was your job as an art director on these two movies specifically? |
2:05.4 | All right. |
2:08.0 | I'll start with the art department. |
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