Broadway's My Beat: The Larry Moore Murder Case (EP4988)
The Great Detectives of Old Time Radio| Daily Mystery Dramas
Adam Graham
4.4 • 2K Ratings
🗓️ 3 June 2026
⏱️ 35 minutes
🧾️ Download transcript
Summary
Original Radio Broadcast Date: January 12, 1952
Originated in Hollywood
Stars: Larry Thor as Lieutenant Danny Clover, Charles Calvert as Sergeant Gino Tartaglia, Jack Kruschen as Sergeant Muggavan.Featured in the cast were Harry Bartell, Mary Shipp, Shepard Menken, Steve Roberts, and Jerry Hausner.
Music composed and conducted by Alexander Courage.
Produced and directed by Elliott Lewis.
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Join us again tomorrow for another detective drama from the Golden Age of Radio.
Transcript
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| 0:00.0 | The Welcome to the great detectives of old time radio from Boise, Idaho. |
| 0:35.1 | This is your host, Adam Graham. |
| 0:37.7 | In a moment, we're going to bring you this week's episode of Broadway's My Beat. |
| 0:42.0 | But first, I do want to encourage you. |
| 0:44.3 | If you're enjoying the podcast, please follow us using your favorite podcast software. |
| 0:49.9 | And today's program is brought to impart by the financial support of our listeners. |
| 0:55.1 | You can support the show on a one-time basis using the Zell app to Box 13 at great |
| 1:01.5 | detectives.net, and you can become one of our ongoing Patreon supporters for as little as |
| 1:08.0 | $2 per month at patreon. dot greatdetectives.net. |
| 1:14.1 | Now from January 12th, 1952, |
| 1:18.3 | here is the Larry Moore murder case. |
| 1:26.5 | Music Broadway's My Beat, from Times Square to Columbus Circle, the gaudiest, the most violent, the lonest mile in the world. |
| 1:47.8 | Broadway. Violet, the lonest mile in the world. Broadway is My Beat with Larry Thor as Detective Danny Clover. |
| 2:07.6 | The still brilliant light of a new January drifts down over Broadway, and the pattern it reveals is unchanged. |
| 2:12.5 | The scalped edges of piled concrete are still defined against winter sky. |
| 2:19.9 | Glintzer struck off chrome and steel, and the faces of the mob are already molded back into the old year's anguish. |
| 2:22.5 | Because still, the vision of beauty stands in a doorway at the end of night. |
| 2:25.1 | And you walk toward it. |
| 2:26.6 | You're stopped by the hawker who has another plan for you. |
| 2:29.1 | You push him aside. |
| 2:30.1 | Keep walking. |
| 2:31.3 | He stops you again. |
... |
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