Broadway's My Beat: The Jane Arnold Murder Case (EP4673)
The Great Detectives of Old Time Radio| Daily Mystery Dramas
Adam Graham
4.4 • 2K Ratings
🗓️ 9 April 2025
⏱️ 36 minutes
🧾️ Download transcript
Summary
Original Radio Broadcast Date: May 19, 1950
Originated in Hollywood
Stars: Larry Thor as Lieutenant Danny Clover, Charles Calvert as Sergeant Gino Tartaglia, Hy Averback, Jerry Hausner, Elliott Reid, Mary Lansing, Herb Butterfield
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Transcript
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| 0:00.0 | The Welcome to the great detectives of old-time radio from Boise, Idaho. |
| 0:34.3 | This is your host, Adam Graham. |
| 0:37.0 | In a moment, we're going to bring you this week's |
| 0:39.4 | episode of Broadway's My Beat. But first, I do want to encourage you if you are enjoying the |
| 0:45.5 | podcast to follow us using your favorite podcast software. Today's program is brought in part |
| 0:52.2 | by the financial support of our listeners. |
| 0:54.7 | You can support the show on a one-time basis using the Zell app to Box 13 at greatdetactives.net. |
| 1:03.9 | You can also become one of our ongoing Patreon supporters for as little as $2 per month at patreon.combe.combe.com. And I want to welcome Robin as our latest Patreon |
| 1:16.9 | supporter at the Shawmas level of $4 or more per month. Thanks so much for your support, Robin. |
| 1:23.3 | Now, from May 19, 1950, here is the Jane Arnold murder case. |
| 1:51.7 | Broadway's my beat, from Times Square to Columbus Circle, the gaudiest, the most violent, |
| 1:54.3 | the lonesomest mile in the world. Broadway's My Beat, with Larry Thor as Detective Danny Clover. |
| 2:10.7 | Broadway's Fury shrieks through the chasms of the city. |
| 2:15.9 | And finally the edge of Fury washes against a doorway in a side street. |
| 2:19.6 | The door opens and a voice asks a question. |
| 2:21.7 | Police? |
| 2:22.3 | You answer the voice and it leads you down a littered hallway. |
| 2:25.1 | Pulls aside a frayed curtain half torn |
| 2:27.2 | from its wooden rings. |
| 2:29.6 | Escorts you to the center of a wooden platform |
| 2:31.6 | circled with pale anonymous faces |
| 2:33.6 | and says... |
... |
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