I'm Bob Boylan from All Songs Considered. The following is the audio from our latest Tiny Desk concert.

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. . . . . . . . . . . . . . . . . . . . . . Thank you so much for joining me today. I have to say I think I chose the best instrument in the world because we get to manipulate our fingertips on the strings to create new forms of expression and throughout my career I have just found and continue to find new vehicles for exploring what this instrument can do.

That piece you just heard, J.S. Bach, Stacotta and Fuggen D minor, originally written for the organ or

some say the violin.

I was actually responding to a bet to transcribe it for the harp.

No money was transpired, I hope he's watching so he can pay up.

But anyway, that was really an expression of me to explore Baroque

counterpoint and the drama of this incredible piece on the concert harp.

Going forward, I'd love to present to you this incredible piece written by one of the great living jazz artists,

Picita de Rivera, who's a jazz clarinetist,

saxophonous from Cuba,

and he wrote this for piano, and I've adapted it for harp.

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