Hi, everybody. I'm Andy Richter. You're listening to the three questions. And I've got

Brick Elman on today. How about that? Isn't that exciting? I, uh, you, you are soaking

up all the work. You were in everything these days. Oh my God. I'm glad to hear you say

that. You know, why it doesn't feel, yeah, it never feels like that does it. No, no, no,

not at all. I mean, I feel very grateful and I intellectually know that. But I, yeah,

yeah, the trauma of not having worked for so long and the fear of never working again.

Oh, yes. As always creeping in. Yeah. Yeah. No, for me, the, the big turning point was that

it was like some Tom Clancy movie on cable at where you play like a terrorist. And I was

so happy to see you. And like, because it's like, there's no comedy in that movie whatsoever,

you know, and because usually, you know, like you're in things where it's kind of fun,

you know, like you, you've been in some great stuff. We're just for drama. But mostly

people get you because you're, I, would you say you're essentially a comedian? I mean,

because I feel I would say that, yeah, I mean, that's my roots, you know, I'm trained in

all, you know, in all things theater and acting. And I definitely, I strive to do more and

more drama. But I mean, I can't, I can't do. You're either funny or you're not. And so,

and so if you're funny, it's really ridiculous not to utilize that and to abandon that completely.

But like, I do, I do love to do drama. And I love that I'm getting the chance to do more of that.

And I want to do more of that. But I never want to abandon comedy. And up to this point,

even things that I've done for the most part that have drama in them, like lemon or

flea bag, there's still a lot of, there's still comedies. Oh, yeah. I mean, like flea bag, I feel,

that's a comedy. Like that whole thing is it, you know, I mean, it's, it's meant to be,

I mean, there's absurdist comedy that isn't full of jokes, you know, that it's just about the

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