Okay, I am walking up. I see Chloe Choma and Nicole Phelps standing on the corner.

Good morning. Good morning.

Bonjour.

Where are we?

We are outside the Café de la Pape in front of the opera Garnier.

Cafe de lape was the headquarters for the Vichy Gestapo.

Do we care?

Let's start again.

This is the run-through.

I'm Chloe Mal.

And I'm Germanardi.

And we're in Paris.

We're outside of the Chanel show. It just wrapped.

I have to say, there was something so spectacular about it being at the Pelle-Garnier, the Opera House.

I really loved it. I just thought it was just elegant, but easy and feminine.

I loved it. A big bowment. A lot of big bows. A lot of big bows. An amazing bridal moment at the end.

Just Angelina Kendall. Full taffeta. Yeah. My favorite new model, Angelina Kendall, Australian model, fantastic.

Agree.

It's a big deal to be the Chanel bride that closes the show at Couture.

So it always feels like an anointing of sorts.

And Angelina Kendall, who is very much feels like the model at the moment, everyone thinks she looks like a baby, Giselle.

She came out in her cream, taffeta, opera coat, bridal look,

...