meta_pixel
Tapesearch Logo
Log in
The LRB Podcast

BookTok

The LRB Podcast

London Review of Books

Society & Culture

4.4581 Ratings

🗓️ 21 March 2023

⏱️ 41 minutes

🧾️ Download transcript

Summary

With the future of TikTok increasingly uncertain in the US and other countries, Malin Hay talks to Tom about the app’s powerful reading-focused corner, BookTok: what it is, how it works, and the tropes which dominate its favourite genre, romance fiction. They also look at some recent emails from listeners. Find further reading on the episode page: https://lrb.me/booktokpod Sign up to our Close Readings podcast subscription: https://lrb.me/closereadingspod Get in touch with the podcasts team: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, you're listening to the London Review of Books podcast. I'm Thomas Jones. Today I'm joined by my

0:17.3

colleague Malin Hay, an editor at the LRB, last heard interviewing B Wilson about Paul Newman, but joining me today to talk about book talk about book talk, the corner of the social media platform TikTok, where readers lurk, which she wrote a piece about in January. Hello, Malin.

0:31.0

Hello, Tom.

0:32.4

The TikTok is in the news this week because the British government has announced it's going to follow the lead of the US, EU and New Zealand and ban civil servants from having the app on their work devices, not because

0:42.3

it's a colossal time-waster, but because of security concerns. TikTok, the world's fastest-growing,

0:48.1

and possibly biggest, I don't know, you know better than me, as fast-as-growing social media

0:51.7

platform is Chinese-owned and Western governments are worried that the Chinese government could use it as a backdoor to access state secrets.

1:00.0

The US has said that it may even ban TikTok altogether unless the Beijing-based company Bite Dance sells its stake in the app.

1:06.9

The BBC is apparently encouraging its staff to delete TikTok from their work phones.

1:12.0

It's still allowed at the LRB, however, though my colleagues obviously only ever use it for

1:16.2

research purposes. Have you deleted the app since writing your piece, Mallet?

1:20.4

I actually have deleted the app since writing the piece, but more, not because of security

1:25.9

concerns, but more because it is a colossal time suck it's just so

1:29.8

addictive i think it's basically i think ticot is unusually addictive i mean i was addicted to

1:36.8

facebook in the back in the day i've been addicted to instagram nothing beats a ticot addiction

1:42.8

it's so intense because it is literally i, just to explain a little bit about the actual

1:48.7

mechanics of how TikTok works, you open the app and you see a video that's not necessarily

1:54.4

somebody that you've chosen to follow.

1:56.0

It's just literally presenting you with something.

1:58.1

And as soon as you get rid of that video is replaced by something else.

2:00.7

There is no landing page. As soon as you get onto the app, you're looking at content.

2:05.6

And also the content isn't necessarily related to each other. So you're being presented with

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from London Review of Books, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of London Review of Books and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.