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Best of the Spectator

Books Podcast: Michael Lewis and The Undoing Project

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 27 December 2016

⏱️ 26 minutes

🧾️ Download transcript

Summary

A special sample episode of the Spectator's new Books podcast.

Michael Lewis, author of Moneyball and The Big Short, talks to Sam Leith about his new book, The Undoing Project, in this sample episode of the Spectator Books podcast.

Transcript

Click on a timestamp to play from that location

0:00.0

The Spectator podcast returns next week, but meanwhile, here's an episode of our Books

0:05.2

podcast, which, like this one, comes out every week. It's presented by Sam Leith, our literary

0:10.5

editor, and he's in conversation here with Michael Lewis. If you like it, then please do consider

0:15.6

subscribing to the Spectator Books podcast on the iTunes Store. Hello and welcome to the

0:20.4

Spectator's Books Podcast. I'm Sam Leith, literary editor of The Spectator Books Podcast on the iTunes Store. Hello and welcome to the Spectator's Books Podcast.

0:22.2

I'm Sam Leith, literary editor of The Spectator.

0:24.8

And this week I'm in conversation with Michael Lewis, celebrated author of Moneyball and The Big

0:29.6

Short, his latest book, The Undoing Project, is an account of friendship between Daniel

0:35.5

Kahneman and Amos Tversky.

0:38.1

In a first of the Spectator podcast, this has been recorded in front of a live audience, which accounts

0:41.9

with the background noise. Michael, to start with, can I just ask you a lot of people, I

0:46.2

think, might go on the face of it. There's this guy who's written many books, but has

0:51.2

become really best known for writing about business and finance

0:54.8

and about sport. And suddenly you've hauled off and apparently written a book about two

0:59.5

slightly nerdy academic psychologists. I mean, can you talk a bit about how these, you know,

1:06.0

Kahneman and Tversky connect to the rest of your work? Let me tell you how I stumbled into the story, basically,

1:12.3

because I didn't think, you know, I never think how does it connect to my work?

1:17.6

Like, is this my story?

1:21.1

Or does it fit into the larger?

1:23.1

The things are each separate story.

1:24.8

So even though you can see patterns in the subject manner, I'm not looking for it when I decide to write a book.

1:32.2

So what happened, and I agree, though, that it was an odd topic for me to take on.

...

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