4.4 • 785 Ratings
🗓️ 6 November 2024
⏱️ 36 minutes
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0:00.0 | If you enjoyed the Spectator's podcast, why not subscribe to the magazine as well? |
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0:24.0 | Hello and welcome to The Spectator's Book Club podcast. |
0:27.5 | I'm Sam Leith, the literary editor of The Spectator. |
0:30.0 | And this week we're going to be talking about the 100th anniversary of A.A. Milnes |
0:35.3 | when we were very young, which represents that light verse writer's first |
0:39.5 | collaboration with E.H. Shepherd, who would go on to produce, of course, the illustrations for |
0:44.6 | the Winnie the Pooh books. I'm joined by James Campbell, who runs the E.H. Shepherd estate and is |
0:50.4 | the author of books on Shepard's work in his life to talk a little bit about the |
0:54.2 | history and legacy of this great work. James, welcome. Can you start perhaps by telling me just |
1:01.4 | how did this come about? What was the germ for when we were very young? Was Milne in search |
1:06.7 | from an illustrator? Well, it was interesting because Alan Milne was a well-known author, playwright and |
1:13.9 | journalist, and he had long said he had no interest in writing works for children. But all that |
1:20.0 | changed when, of course, he became a father himself at a rather late age. He was pushing 40. |
1:26.4 | And although he was a very hands-off father in the way of that |
1:31.1 | period, he was actually enchanted by his little son. And he used to go upstairs at sort of six-ish |
1:38.5 | with a drink and watch Christopher Robin having his bath and being put to bed. |
1:44.6 | And very often he then go downstairs to his study and just write little bits of doggerel, |
1:49.5 | just little scraps of poetry. |
1:52.5 | And one of these turned into the poem which many of us know called Vespers, |
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