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The Lonely Palette

BonusEp. 08 - Tamar Avishai interviews Dar Williams, Singer-Songwriter

The Lonely Palette

The Lonely Palette

Arts, Podcast, Art, Museum, Painting, Modern Art, Visual Arts, Art History

4.8857 Ratings

🗓️ 7 October 2022

⏱️ 73 minutes

🧾️ Download transcript

Summary

Dar Williams has been described by The New Yorker as “one of America’s very best singer-songwriters,” but to thirteen-year-old Tamar she was, quite simply, a personal hero: a songwriter whose poetry, poignancy, and humor could capture at once the authentic voices of an inner child, a searching young adult, and a wizened sage. We met in person in 2013 at Dar’s songwriting retreat, and our friendship has been evolving ever since, exploring together the rigors of writing and storytelling through sound and song, and what it means to dip in and out of a creative space as a way of simply getting through the day. Dar has recently published a book about songwriting that is chock full of philosophical wisdom and applicable nuggets, many of which borne from a decade of retreats. We sat down together to talk about songwriting, art museums, the art of writing songs about art, and specifically her evocative, ambivalent "Mark Rothko Song," which tackles it all head-on. [2:05] Dar’s relationship with museums and creating a space for poetic thinking. [8:40] Specific museums, exhibitions, paintings that have inspired Dar’s songs: Dia, “Made in America,” the Fogg. [11:45] Writing Mark Rothko Song. Where did Dar go? Where did Dar really go? [14:45] The difficulties inherent in writing about art. What prompted the writing of this song? Dar’s first encounter with Rothko’s “Untitled (Blue Green)” and the first verse. [20:15] Diving into the prosody of the song, how the music and lyrics support the voice of the song: finger picking, major to minor, chord to chord, key to key, mood to mood. [27:41] Return to the lyrics and narrative. The way that Rothko encourages people to make subjective associations…but then comes the foil of the second verse, creating the contrast between subjective and objective. [33:52] The song’s dueling (or complementary?) aha moments in the bridge and final verse. People both love Rothko and struggle to connect to him. Following the narrator’s journey as she wrestles with seeing something versus knowing something. [45:47] Appreciating an honest song about art viewing that doesn’t flatten the characters. Reflecting on the elements of the song that hold up as Dar has gotten older. [51:19] The similarities between art museums and songwriting retreats: opening up, engaging poetic thinking. [55:28] Also the hazards of living in a space of poetic thinking, especially as a parent. The necessary objectivity of the caretaking space. [1:02:20] The “Five Things” Rule, and whether Mark Rothko might just be the exception that proves the rule. Tamar meets her Rothko and gives hope to kind pedestrians everywhere. [1:09:14] Mark Rothko Song in full. Music Used: Dar Williams, “When I Was A Boy”; “Mark Rothko Song” (live); “The Beauty Of The Rain”; “Mark Rothko Song” (album version) Episode Webpage: https://bit.ly/3RJm9Ak Support the Show: www.patreon.com/lonelypalette

Transcript

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0:00.0

Let us begin. Yes. Yes.

0:05.0

I'm Dar Williams. I am a singer-songwriter and I've been leading a songwriting retreat for the last 10 years.

0:15.0

So thank you so much for taking the time to talk to me. This is actually the second time that I've had the opportunity to interview you. The first time was now getting to be a really long time ago.

0:38.0

It was in 2014 and it was after the second time I had gone to your songwriting retreat in 2013.

0:47.0

And you and I were sitting on a bench outside of the Garrison Institute that repurposed monastery.

0:55.0

You know, you were giving me the opportunity as a fresh audio producer to interview you,

1:01.0

and it was great, we were coming right off of the retreat

1:04.0

you were talking about why you actually wanted to create a song writing retreat

1:10.0

and why you wanted it to be about writing a song that matters and not just writing a song that will get you famous or writing a song like yours or you know but everybody kind of writing their own song and

1:25.0

being given permission to and now you've written a book about it. Yes and that's

1:30.1

exactly and and thank goodness it called, well the book is called How to

1:35.1

Write a song that Matters and the Retreat is writing a song that matters and

1:38.4

the great thing about that title was that it was very self-selecting for people who really wanted to figure out

1:46.0

how to get that song out that meant something to them.

1:48.8

And so what I wanted to talk to you about this time was how you wrote a song that matters to me about art.

1:59.3

And we're going to get to that song in due time, but I wanted to start by talking about your relationship with museums.

2:07.0

Because you've talked about museums both in your book and when we've been to museums together as simultaneously being a place

2:18.3

that isn't necessarily about the art itself but that opens you up into what you describe as poetic thinking

2:25.7

into that place where your mind goes into soft focus and you allow in all of the

2:32.2

inspiration and you know I've had similar experiences at the retreat where you have this sense

2:38.6

that your aperture has kind of opened up and all of a sudden every mood every

2:42.1

detail every beam of light feels poetic.

...

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