Hey Discos, need a little more disgrace land in your life?

Just a touch to get you through?

Yeah, me too.

This is the podcast that comes after the podcast.

Welcome to Disgraceland bonus episode. A little thing we like to call the after party. This is the show after the show, the party after the party, the bridge to get you from one full episode of disgrace and to the other, the backyard to dig into the dirt.

On this bonus episode, we are talking about Chris Cornell.

We are previewing the coming episode on Winona Ryder, talking artists with follow-up bands that were more impactful than their breakthroughs.

And we get into your voicemails, text, DMs, emails, and as always, a whole lot of rosy. All right, discos, let's get into it.

All right, Chris Cornell, this week's full episode subject, broke through, obviously, in Soundgarden, and then went to find success in audio sleeve.

The question of the week this week was, what artists had more impact in their follow-up band than they did in their breakthrough band? Obviously, Chris Cornell's career inspired this question.

Now, for the record, I'm leaving off people like Dave Navarro, who went from Jane's addiction

to the Red Hot Chili Peppers. It's a bit of a nuanced reason, but it's because chili peppers

weren't really Navarro's band.

He joined pretty much as a side man, wasn't even a full member, in my opinion.

So he doesn't qualify.

Neither is someone like Ronnie James Dio who left Black Sabbath to have a successful solo career.

We're talking groups here, okay?

Making it in two groups, two bands is a much

harder achievement in my estimation. Those artists who break through with one band and then

repeat their success or then they surpass their previous success in another group, that's huge.

That is not easy. So I was surprised to learn that Soundgarden has sold significantly more albums than

audio slave, 30 million for Soundgarden to just 8 million for audio slave. The Boys and Guns and Roses,

...