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Friends at the Table

Bonus Episode: Marielda NNAF Fundraiser Livestream (+Realis teaser)

Friends at the Table

Friends at the Table

Games, Fiction, Leisure

4.92.1K Ratings

🗓️ 5 August 2022

⏱️ 304 minutes

🧾️ Download transcript

Summary

Well, I suppose I’ve got a story or two left in these old bones. And hell, since it is another one about Marielda, why not make one about stories and the people who tell ‘em.

Now I know what you might be thinking: Physicality alive, in the era that The Six operated in Marielda, it was knowledge which was forbidden, turned into contraband and currency both, not stories.

But as anyone ever wounded by art can tell you, fiction is a sharper knife than information could be. And living fiction, played out in front of your eyes and ears? Very few things are as well honed as that.

And so it was that Samothes, ever jealous and increasingly suspicious that his erstwhile beau might conquer his capital with culture instead cudgel, all but forbade the theater.

Of course, any scoundrel worth their shadow would narrow in on those two words preceding “forbade”: “All but. “

There were two exceptions to the rule banning theater.

The first was liturgical drama, approved by the Blessed Council and performed in the True Church of Samothes on the Day of High Sun and other feasts. Between us, these were boring. They might serve academic value to someone of today’s New Archives, and I suppose for the true believer of that old era, seeing even the most sanitized depiction of their King-God, Artificer Divine would make their day.

But most folks, they wanted something a little less sacramental.

Which is where the second exception comes in.

Once a season, as an act of supposed Good Will, the Preceptors of the Font of True Knowledge—the Fontmen—opened the gates of their domain and put on a grand show. A day of comedy and tragedy in the Font Theater—the leash let slack so that the next time those censors pulled on it, they could claim it was done in good faith.

What does any of this have to do with the Six. Well, nothin, until those out-a-towners with mysterious pasts and glorious masks showed up, claiming they had a spot on the stage and job for Hitchcock, Castille, and the rest. Help those actors steal their names back.

Hello everyone!! Here is our livestream marathon finale game, a return to Marielda playing Scene Thieves! Most donation and fundraising shouts were cut to get this (as close as possible) under 5 hours but we'd like to thank everyone again for joining us on stream and supporting the National Network of Abortion Funds with us!

Featuring: Austin Walker, Art Martinez-Tebbel, Jack de Quidt, Janine Hawkins, Ali Acampora and Sylvi Clare

Music by Jack de Quidt

Scene Thieves is available here: https://possible-worlds-games.itch.io/scene-thieves

Transcript

Click on a timestamp to play from that location

0:00.0

Well, I suppose I've got a story or two left in these old bones and hell since it is

0:18.5

another one about Mary Elder, why not make it about stories and the people who tell

0:24.3

them? Now I know what you might be thinking. Physicality alive in the era that the six

0:30.0

operated in Mary Elder, it was knowledge which was forbidden turned into contraband and

0:35.2

currency both. Not stories, but as anyone ever wounded by art can tell you, fiction is

0:44.2

a sharper knife than information could ever be. And living fiction played out in front of

0:49.3

your eyes and ears, well very few things are as well honed as that. And so it was that

0:55.6

samathes ever jealous and increasingly suspicious that his erstwhile bow might conquer his

1:01.2

capital with culture instead of cultural, all but forbade the theater. Of course any scoundrel

1:07.5

worth that shadow would narrow in on those two words for seeding forbade, all but. There

1:14.6

were two exceptions to the rule banning theater. The first was liturgical drama approved by

1:20.1

the Blessed Council and performed in the true Church of Samathes on the day of high

1:24.4

sun and other feasts. Between us these were boring. They might serve academic value to

1:30.1

someone of today's new archives and suppose for the true believer that old era, seeing

1:35.2

even the most sanitized depiction of their king god, the artifice of divine, would make

1:40.0

their day. But for most folks they wanted something a little less sacramental, which is where

1:45.7

the second exception comes in. Once a season has an act of supposed good will, the preceptors,

1:51.8

the fun of true knowledge, the font man, open the gates of their domain and put on a grand

1:57.4

show. A day of comedy and tragedy in the font theater, the leash lets slack so that the

2:03.2

next time those censors pull on it, they could claim it was done in good faith. What does

2:08.4

any of this have to do with the six? Well nothing. Until those out of towners with mysterious

2:13.7

pasts and glorious masks showed up, claiming they had a spot on the stage and a job for

...

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