Miss Elizabeth Moss had taught me how to smoke the fake cigarettes already, and this little wife, she's just standing there in her dress, standing on a hay bale. You know, she's jumping up and down the hay bale, like kicking hay and smoking a cigarette.

You don't own me, I know your property, so think you're shifting little bitty eye over me.

It's wild.

I never would have thought in a million years.

Welcome to Eyes on Gileat, our podcast dedicated to The Handmaid's Tale.

There is a lot going on in this show, and we think it helps to talk it out, even when there

are no more episodes of the show for a little while until they make some more episodes for us.

I'm Fiona Williams, and I manage our online coverage of movies and TV here at SBS, and I'm

joined by my friends, colleagues and fellow

resistors. Natalie Hambly, managing editor of SBS Voices. Hello. Haiti Island, channel manager

of SBS On Demand. Hello. And Sana Khadar, host of All In The Mind for ABC Radio National.

Hi, hi. Hello. We're back for another bonus episode of this mini series of

conversations with Emmy nominees because as we know, The Handmaid's Tale landed a record number

of Emmy nominations for the series going into the Emmy Awards, which will be upon us very soon.

So we've had just the best time having a chat

with some of the show's outstanding nominees. And look, today is no exception. I don't know

if you noticed. There was a character introduced this year who she made quite an impression

when she came onto the scene in episode one of season four.

Little Esther, little Esther Keyes.

What a debut.

We're very pleased to have joining us in our Zoom room today, McKenna Grace, who plays Esther

Keyes, and she is nominated and a hot favourite in the category of outstanding guest

...