So what ends up happening is Lily calls, this is before Charlotte goes to the real deal, but she calls the family into the living room.

So we got Rock there, we got Harry, we got Anthony, we got

Charlotte. Lily is at her keyboard, she's playing the keyboard and she's singing a song

she wrote and here are some of the lyrics

Caught inside this gilded cage Park Avenue streets where do they lead the power of privilege I wish I could remember how the tune goes,

The power of privilege. I'm not allowed to be me. I'm a good girl. I'm a good girl. I mean, it's, okay, and so then

Anthony leans over and says to Charlotte, who is she? Lily

Eilish? Come on, that's fucking funny. And this is when I went, oh, the entire point of this subplot is so that

Anthony could say say who is she

Lily Eilish that's the entire point of having Lily get a keyboard and

expressed through song that she feels like she's in a gilded cage that's

even though that's a great plot point,

it was all about that.

Just like I'm convinced the second Sex and the City movie

was only with a whole movie was based around the pun,

Samantha saying, Lawrence of my Labia.

That's why they went to the Middle East,

because Michael Patrick King woke up in all the night

with a pun and he's like, how do I make a movie about this?

I'm not fucking kidding.

So he's like, Lily Eilish?

I know. I promise you, it started there. I promise you.

...