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99% Invisible

Bone Music

99% Invisible

SiriusXM Podcasts and Roman Mars

Arts, Design

4.828.1K Ratings

🗓️ 22 December 2015

⏱️ 11 minutes

🧾️ Download transcript

Summary

In 1950s Soviet Russia, citizens craved Western popular music—everything from jazz to rock & roll. But smuggling vinyl was dangerous, and acquiring the scarce material to make copies of those records that did make it into the country was expensive.

Transcript

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0:00.0

This is 99% invisible.

0:02.0

I'm Roman Mars.

0:05.0

Let's go back to the Soviet Union in the 1950s.

0:08.0

There was a terrible hunger for anything that came from West,

0:12.0

anything at all, doesn't matter what.

0:13.8

This is Alexander Genes, Russian writer and broadcaster.

0:17.2

For example, Lighter.

0:18.5

Can you imagine how important was lighter.

0:21.6

American Lighter was like treasure. But a lighter is lighter is just a lighter. During the Cold War what many Russians really

0:28.4

craved were expressions of creativity and art, much of which came from the West. They wanted West Coast. of course American Western music.

0:35.0

They wanted Western music.

0:36.0

There was of course American Western music.

0:39.0

Western music was incredible, important.

0:43.0

They were crazy about jazz and rock and roll.

0:47.0

Of course, Elvis Presley.

0:48.0

And it was extremely hard to smuggle in vinyl records that were made in the West.

0:56.0

And if a prized album did make it in,

0:58.0

ordinary Russians couldn't make copies to sell or trade to their fellow comrades because vinyl the material itself was impossibly expensive and scarce.

1:07.5

So we didn't have any records. It was, I didn't even see records I think in my life Western record because it was dangerous.

1:16.0

Soviet censorship was endless but so was Russian ingenuity.

1:21.0

That's Davia Nelson. She and Nicki Silva are the Kitchen Sisters, and they produce the Radiotopia

1:25.7

podcast Fugitive Waves.

...

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