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DISGRACELAND

Blondie: Punk vs. Disco, Held Hostage by Phil Spector, and Riding with Ted Bundy

DISGRACELAND

Jake Brennan

Society & Culture, Music, True Crime

4.613.1K Ratings

🗓️ 7 December 2025

⏱️ 33 minutes

🧾️ Download transcript

Summary

Blondie got their start as part of New York’s fertile punk scene in the late ‘70s, a time of great musical innovation. Also a time of great fear. Violent crime had the five boroughs in a stranglehold. Muggers, rapists, thieves, criminal deviants of all stripes ran wild in the streets. Or so they said. True New Yorkers like Blondie were tough, jaded, immune to the fears foisted upon tourists. Blondie’s Debbie Harry, in particular, was not a victim and not a mark. But she nearly became a victim to a soon-to-be infamous serial killer when she accepted a ride from a stranger. This episode contains themes that may be disturbing to some listeners, including depictions of sexual assault. This episode was originally published on November 21, 2023. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

Double Elvis.

0:06.7

This episode contains content that may be disturbing to some listeners.

0:11.0

Please check the show notes for more information.

0:14.8

Disgraceland is a production of Double Elvis.

0:30.7

The stories about Blondie are insane.

0:36.4

The band got its start in New York's fertile punk scene in the late 70s, a time when fear and violent crime had a stranglehold on the

0:39.1

city. Two members of the group were mugged on the street. One of them, Debbie Harry, was then

0:44.9

raped at knife point by her attacker. Debbie Harry also barely escaped with her life after she

0:51.0

unknowingly accepted a ride from a serial killer. Debbie and Blondie were

0:55.8

loved and desired by many good and bad, including producer Phil Spector, who once held them

1:02.3

captive inside his lavish Hollywood mansion. But Blondie didn't need Phil Spector to make great music,

1:09.8

some of the coolest genre-bending music of all time.

1:13.6

Unlike that clip I played for you at the top of the show, that wasn't great music.

1:18.1

That was a preset loop for my Melotron called Robert Stack Attack, MK, K, 1.

1:24.4

I played you that loop because I can't afford the rights to a clip from Le Freak by Sheik.

1:30.3

And why would I play you that specific slice of, ah, freak out cheese, could I afford it?

1:37.1

Because that was the number one song in America in January 1979, and that was the month that Blondie released Heart of Glass.

1:46.0

A song that out-punked punk,

1:48.0

pissed off some of their most devoted fans,

1:51.0

and proved they were capable of surviving just about anything.

1:55.0

On this episode,

1:58.0

Fear and Violet Crime,

...

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