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You Can See Me in the Dark

Black Velvet Fairies

You Can See Me in the Dark

Nathan Reisman

Society & Culture, Scary, True, Creepy, Ghost, Ghoststory, Spooky, Story, Paranormal, Halloween

4.8729 Ratings

🗓️ 15 April 2024

⏱️ 22 minutes

🧾️ Download transcript

Summary

A Conversation and bonus ghost story with write/director Jamie Nash

 

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Send us your ghost tory on our website or email us at [email protected]

 

All music fro Universal Production music.

Transcript

Click on a timestamp to play from that location

0:00.0

I'm Melissa Sweeney.

0:10.0

And I'm Nate Reisman and this is you can see me in the dark. We're doing a little something different today.

0:36.7

We're talking to writer and director Jamie Nash, who's made a bunch of really fun horror

0:41.8

movies as part of an ongoing collaboration with the team behind one of the most foundational horror movies of the 90s, if not all time, the

0:50.5

Blair Witch Project.

0:52.3

Jamie is out with a scripted podcast called Black Velvet Fairies, featuring the voice

0:57.3

talents from his films Lovely Molly and Exists, a gnarly little big-foot movie directed

1:03.1

by Edward O'Sanchez, that seemed like an excellent

1:06.4

trial run for the agonies and ecstasy of producing an audio-driven narrative.

1:11.9

Jamie joined us to talk about his background, his new show, and the incredibly spooky shit

1:17.6

that went down in the Maryland woods during the making of Lovely Molly.

1:22.1

You can see me in the dark presents.

1:24.5

Jamie.

1:49.0

So I got started the way all good harm movie guys get started. I was a computer programmer for the most part.

1:52.0

That's how I started.

1:54.5

I always loved movies and I always loved horror movies.

1:59.5

I came up in the 80s.

2:01.4

That was my time.

2:02.5

So you know, you can imagine what the 80s were like.

2:04.9

It was a lot of Michael Myers, a lot of Freddie Krueger.

2:08.7

But for me in particular, I was a big fan of Sam Raimi,

2:12.9

the Evil Dead movies, Peter Jackson's,

...

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