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Thinking Allowed

Black music cultures in London

Thinking Allowed

BBC

Society & Culture, Science

4.4997 Ratings

🗓️ 27 November 2019

⏱️ 29 minutes

🧾️ Download transcript

Summary

Black music culture: Laurie talks to Caspar Melville, Lecturer in Global Creative and Cultural Industries at SOAS, about his study of the musical life which emerged in post-colonial London at the end of the twentieth century – from reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle in the 1990s. They're joined by Kim-Marie Spence, Post Doctoral Student at Solent University, Southampton, who explores the mixed fortunes of reggae and dancehall within Jamaica and beyond.

Producer: Jayne Egerton

Transcript

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0:00.0

Take some time for yourself with soothing classical music from the mindful mix, the Science of

0:07.0

Happiness Podcast.

0:08.0

For the last 20 years I've dedicated my career to exploring the science of living a happier more meaningful life and I want

0:14.4

to share that science with you.

0:16.1

And just one thing, deep calm with Michael Mosley.

0:19.4

I want to help you tap in to your hidden relaxation response system and open the door to that

0:25.4

calmer place within. Listen on BBC Sounds.

0:30.3

BBC Sounds, Music Radio Podcasts.

0:35.0

I'm Laurie Taylor and this is a podcast for BBC Radio Force thinking aloud.

0:41.0

Want to know the musical and political connections between

0:44.3

soul and reggae and asset house and rare groove and jungle? What a

0:48.8

sophisticated survey of the black musical scenes in London is all here. Hello, yes, my favorite things, refashioned by John Coltrane.

1:17.0

It's one of my favorite things too because for as long as I can remember I've loved the music that gets filed under modern jazz.

1:23.0

Miles Davis, the loniest mon Keith,

1:25.0

Jarrett, Wayne Shorter, Joshua Redmond,

1:27.5

Lee, Morgan, McCoy Tyne, and John Coltrane. train. Enthusiasm was only briefly undermined by a smarty pants postgraduate sociology student

1:45.8

who told me a few years ago that my taste was dreadfully predictable. Modern jazz, he told

1:51.0

me, is the perfect soundtrack for someone like yourself. I mean you don't dance to Modern Jazz, you lean back in your Eames chair, put your forefingers together, and appreciate it. It's cerebral, high-minded, cool, abstract, respectable.

2:05.0

It's never, well it's ever low down and dirty and with the people.

2:09.0

On the face of it, respectability seems an odd, but an odd chunky term to apply to something so fluid, so various, so unpredictable, so imaginative as modern jazz.

2:20.0

But as any study of musical styles quickly reveals music which speaks to one group of people

2:24.6

about their lives and their condition can sound quite alien to others.

...

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