All right, it's me, Atlas, listen, you got to to help me, my ma and my son and my boy.

And, uh, because Ryan, that right piece of work, he's going to be, uh, boomerine, cabbage and potatoes.

Apparently, this is how I used to talk, like a mean evil southern man.

But then they changed my voice. Don't listen to my own voice actor. Don't listen. Would then they changed my old voice actor don't listen would you

kindly ignore my old voice actor and would you kindly keep listening to this podcast i i can't hold an

accent that's right everybody today on the show before before i even get to the introductions we're

talking about bioshock what did you want me to do during that pause?

I'm going to ask Mary to, like, throw in a little music right there.

Oh, that's really good. That's good production values.

Do you think there's still music playing right now when I'm talking?

I think so. I think it's happening right now.

That's right. I was very excited to do this episode.

I feel like especially, you know, it's like we did Shadow of the Colossus,

and this is another one of those staple video games that come up in the conversation of, you know,

our video games art, or just seeing the maturity, the maturation of video games over time and seeing

that this was like the new wave, like games could be different.

By the way, I am your big daddy wizard, Holden McNeely.

And I am your captain of industry, your bold visionary who sweat of his brow is untainted by the hands of God or government.

Jake.

Jake, do you have, what are your special memories of playing this video game?

I remember playing it on PC and just like really, okay, this is the number one thing everyone talks about because it's like you can't not experience this.

The moment where after the initial cinematic, the plane crashes and you're left sitting there, not holding your controller, not moving because it looked so good at the time

...