Big Picture Stuff: Part 2
Ongoing History of New Music
Curiouscast
4.8 • 604 Ratings
🗓️ 22 April 2020
⏱️ 34 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | Hey, it's Alan, and I just wanted to let you know that you can now listen to the ongoing |
| 0:04.3 | history of new music early and ad-free on Amazon music, included with Prime. |
| 0:09.7 | In the olden days of newspapers, and I'm talking about decades ago, there was a specific way |
| 0:15.5 | of printing photographs. Photos were given to the printer who copied the picture using a special camera |
| 0:21.9 | that converted everything to something known as half-tone, so it could be put in the paper. |
| 0:27.6 | If you looked really closely at the resulting picture, you'd see that it was made up of a pattern of |
| 0:33.3 | dots. Each one was a different size and proportional to the blackness of the original photo |
| 0:39.6 | in that particular location on the photograph. Viewed at a distance, it looked like a normal |
| 0:44.2 | picture, but if you got up real close, all you saw was the dots. Okay, wait, let's try |
| 0:50.8 | something else. Have you ever sat up close to a TV? And I mean really close. |
| 0:55.3 | So close that you can see the individual pixels. |
| 0:58.2 | That's kind of cool because you get to see the tiniest components of the video that's being |
| 1:01.7 | broadcast. |
| 1:03.1 | But looking at a pixel or two isn't really helpful when you're actually hoping to understand |
| 1:08.2 | anything that's being broadcast. |
| 1:10.0 | You're too close. |
| 1:11.8 | There's no perspective to anything. Sometimes to really understand things, you need to sit back, and I mean |
| 1:18.5 | way back, in order to perceive things, to understand things, to appreciate things, and to |
| 1:26.6 | basically figure out why they are the way they are. |
| 1:29.4 | In other words, you need the big picture. |
| 1:32.5 | All right, to torture this metaphor even more, the same principles can be applied to music |
| 1:36.9 | before certain things come into focus. |
... |
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