Nathan Hubbard, Spring has sprung, the birds are chirping, and the pop girls are popgirling.

Oh, and you know what that means, Nora Princeiotti.

Every single album is back.

This spring is packed with new releases from some of the biggest pop stars in the world,

including our girl Taylor Swift, and we'll be covering it all.

We'll of course break down every angle on the Tortured Poets Department,

and we'll also cover new music

from Beyoncée duelipa Maggie Rogers Casey Musgraves and Ariana Grande.

It's pop girl spring on every single album. New episodes starting March 28th on Spotify

Spotify or wherever you get your podcasts. You're all. Welcome to a Ringer dish special episode here on the Ringer Network. I am Chelsea Stark Jones, joined by the lovely Jody Walker. Jody, we are going to do something that both feels monumental but also a little bit overwhelming and really break down

cowboy Carter and the most honest way we know how.

Which is an absolute rave, let's be honest.

I'm hesitant to even use the word breakdown because we have spoken about this offline.

We are both huge and immediate fans of this album.

So let's be clear from the jump that this is not exactly a critique

or even

lending a critical eye to Cowboy Carter, if that's even possible,

as much as a chat about how much we've enjoyed this album

and also how it has met all of our, frankly for me at least, very high expectations of what Beyonce's country album, or as she might say it, Beyonce's Beyonce album, what we wanted from that.

For me, it's been everything and more.

Yeah, I have to agree.

I'm trying to remember Pre-Cowboy Carter what I thought the album was going to be and yeah I did

...