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Life and Art from FT Weekend

Best Of: The secret lives of MI6’s women spies

Life and Art from FT Weekend

Forhecz Topher

Tv & Film, Arts, Society & Culture

4.6601 Ratings

🗓️ 7 July 2023

⏱️ 32 minutes

🧾️ Download transcript

Summary

This episode was modified to correct an inaccuracy in the intro. We said Britain has appointed one of the women interviewed for this story to director of GCHQ. Britain did recently appoint the first woman director of GCHQ, but it wasn’t one of the women interviewed for the story.


This week, we return to one of our favourite episodes, to hear about the secret lives of women spies. Our colleague Helen Warrell got exclusive access to the women at the top ranks of Britain’s MI6 agency. For the first time, they reveal what it’s like to be a woman in espionage, and how pop culture – from James Bond to John le Carré novels – has made it harder for MI6 to recruit a diverse team of spies. Then, we’re joined by behavioural economist and friend of the podcast Tim Harford, who makes a compelling case for learning when it’s time to quit.


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We love hearing from you! You can email us at [email protected]. We’re on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.

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Links: 

– Our coverage of Anne Keast-Butler’s appointment as head of GCHQ: https://on.ft.com/3JJiMIG

– Helen’s exclusive story trailing the women at the top of MI6: https://on.ft.com/3Im2962 

– Helen is on Twitter @HelenWarrell 

– Tim’s column on why quitting is underrated: https://on.ft.com/3vEBVnx 

– Tim’s podcast is called Cautionary Tales and he’s on Twitter @TimHarford

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Special offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial are here: http://ft.com/weekendpodcast.

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Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco.  


Read a transcript of this episode on FT.com


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Transcript

Click on a timestamp to play from that location

0:00.0

Hi, listeners, it's Lila.

0:02.3

This week we are re-releasing an episode we love from a few months ago.

0:05.9

The first story is about women's spies and why there aren't enough of them in the UK.

0:10.0

And I wanted to come on to give you an update, which is that since we first dropped this episode,

0:14.5

Britain has appointed a woman to the highest ranking role in its intelligence cyber and security agency.

0:20.2

Her name is Anne Keast Butler, and she's now the first woman director ever of GCHQ.

0:26.3

Okay, have a wonderful weekend and enjoy the show.

0:32.0

When the FTs Helen Worrell was growing up, she was really into spy novels.

0:37.4

My dad introduced me to the John LaCarray novels when I was a teenager.

0:42.3

And I really love his kind of Cold War thriller-style depiction of what spying was like in those days.

0:52.3

And that kind of very, very incremental, slow, subtle kind

0:57.5

of tradecraft that he just, that John the Carrey describes. But as Helen got older and kept reading,

1:03.8

she realized something. She couldn't find any women in John LeCarray's books. Or in most spy thriller books or movies, women were kind of

1:15.1

missing from the whole genre.

1:17.3

Especially with a lot of the coverage of John La Carray's death last year, I started thinking

1:21.3

actually, you know, there aren't really any female intelligence operatives in his stories.

1:27.1

It just kind of set me on this sort of discussion, I suppose, with friends and, you know, people I would talk about books with, you know, why is it that, for instance, there's a huge history of female detectives, you know, working on crime, but not so much female spies in the intelligence world.

1:51.4

Helen went into a relevant career. She spent years covering UK defense and security.

1:58.0

And over her time as a journalist, she's gotten to know a few very senior real-life women spies.

2:04.2

She recently wrote an exclusive profile of the three highest-ranked women in the British spy agency, MI6, for FT Weekend magazine.

2:12.9

She calls them Rebecca, Ada, and Kathy.

2:16.5

And they agreed to talk because they're also worried that pop culture mostly ignores them.

...

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