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The Audio Long Read

Best of 2022 … so far: Burying Leni Riefenstahl: one woman’s lifelong crusade against Hitler’s favourite film-maker

The Audio Long Read

The Guardian

Society & Culture

4.32.4K Ratings

🗓️ 5 August 2022

⏱️ 47 minutes

🧾️ Download transcript

Summary

Every Friday in August we will publish some of our favourite audio long reads of 2022, in case you missed them, with an introduction from the editorial team to explain why we’ve chosen it. This week, from February: Nina Gladitz dedicated her life to proving the Triumph of the Will director’s complicity with the horrors of Nazism. In the end, she succeeded – but at a cost. Help support our independent journalism at theguardian.com/longreadpod

Transcript

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0:00.0

This is The Guardian.

0:10.1

Hi, my name is David Wolff. I'm the editor of The Guardian Longread.

0:13.5

This August, every Friday, we're going to be bringing you some of our favorite

0:16.6

longreads of the year with a little introduction from one of the editors,

0:19.7

telling you why we picked it.

0:22.0

So I've chosen an article called Burying Lenny Riefenstahl,

0:25.7

one woman's lifelong crusade against Hitler's favorite filmmaker by Kate Connolly.

0:31.0

I think this is one of those articles that has quite an interesting backstory in the following

0:35.3

sense. A lot of articles that we do for The Longread take a long time to come together, you know,

0:40.4

minimum is three months usually, very normal for it to be six months or even a year.

0:47.7

Since The Longread started in 2014, this is the piece that had the longest gestation,

0:52.8

Kate Connolly, the author of this piece, initially pitched it in 2015 when she said she'd recently met

0:59.5

with this biographer who had dedicated her life to uncovering Lenny Riefenstahl's crimes and

1:05.4

convinced you with the Nazis, something that has been debated ever since the fall of the Nazis,

1:10.0

and we immediately said, are this sounds fascinating to us more? And over the years, Kate continued

1:16.0

to meet with this biographer and I think life and other things caught in the way,

1:20.3

but she kept on meeting her and in fact, became quite obsessed with her work and about five years

1:25.6

after the initial pitch, she came back to us and said, well, you know, I've still been there,

1:29.3

I've been meeting with this woman and it just gets more and more interesting and we were like, oh,

1:33.3

my goodness, we have to do this story. So I think work proper started on this piece in 2020,

1:39.1

and it still took about a year to come together. And I think at one point, this piece was 17,000 words

1:44.3

long, which is a real kind of testament to how much of an obsession it became for the author and how

...

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