Oh, welcome to improv for humans with me, Maddie B. You see, I could have started over.

I just went with that since Sierra Laugh, because you said it's this improv for humans

and I said, you know, it's what I said. You said we're going to let it be, but it's going

to be in it. And then I entered it with welcome to improv for humans. But less than a second

later, it was truly less than a second later. Were you like, I don't know, this is going

to be in the new way. Oh, well, I was like, we know exactly what this is going to be. That's

your improv for humans, boys. Yeah, I guess that an idea, this would be an improv for humans.

Yes, you knew what you wanted it to be. So I thought we'd try and experiment with just

the two of us. One, you rarely have any time off. That's true. And two, I like to, I do like

to do improv to humans every once in a while. And we've never done it together. I think

I've done it with Chad Carter like twice. You know, I think I'd do it with my wife once

or twice. You should marry Chad Carter. Jesus, like him so much. I am in love with his

premises. Do I not give good premise? Is this what this is about today? Very good give

and take baby. So I thought we could do a couple of things to get into it. I've been listening

to some Nichols in May recently and the old school improv, how they do the two person relationship

kind of scenes. Are the ones on the albums improv? Like I always thought they were improv

and I feel like you just told me know they were scripted, the ones on the album. Once

they made the album, they became scripted and even once they performed them. But I think

the unique thing about Nichols in May was that they did not write them up. Like they

honed them, but they were created in improv supposedly. That's the story. So they just

memorized them. Like they've never been put to paper. And I just learned this reading this

book in Provenation that the only truly, they did improv at the end of their set. Like

...