4.8 • 651 Ratings
🗓️ 28 September 2022
⏱️ 56 minutes
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0:00.0 | Hi everyone, welcome back to Doing It, the Sex and Relationships podcast where sex has |
0:11.1 | never been so nerdy with me, your host, Hannah Witten. |
0:14.7 | In this week's episode, my guest is the wonderful Lisa Mangledas. |
0:18.5 | Lisa is one of India's foremost digital content creators focused on |
0:22.6 | discourse around sex, sexuality, sexual health, pleasure and the body. To combat the strong |
0:29.1 | stigma that still surrounds sex in India, Lisa started creating sex education content on YouTube |
0:34.5 | and Instagram in 2017, with the intention to normalize these conversations. |
0:40.9 | She also has a popular Hindi podcast called The Sex Podcast with Lisa Mangledas. Her work covers |
0:46.2 | everything from consent to contraception, from masturbation to orgasms, and she constantly |
0:51.7 | seeks to push boundaries on topics that are widely considered taboo in India. |
0:56.9 | Lisa was named one of GQ's 25 most influential young Indians in 2021 and was the recipient |
1:03.4 | of the Google She the People Digital Women Award for content and is a current recipient |
1:09.2 | of the Pleasure Project's Pleasure Fellowship. |
1:12.4 | I've been following Lisa's work for a while and I really wanted to have her on the podcast |
1:16.6 | as a fellow sex educator and content creator to talk about all the important work she is doing |
1:22.5 | in India. We spoke about Lisa's own non-existent experience of sex education growing up in India, |
1:28.8 | but how having a family who were open about sex and bodies helped her feel safe to talk about it. |
1:34.8 | Lisa went into the stigma that still surrounds women's sexuality and bodily autonomy in India, |
1:40.1 | and how she is using her platform to talk about sexual pleasure. |
1:48.0 | Lisa told me about 100 stories of pleasure, |
1:53.2 | a platform she created to celebrate the stories of women and queer people's pleasure, |
1:57.3 | and talked about the importance of sharing examples of joy rather than just reiterating shame and fear narratives, |
... |
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