Behind the Scenes of Don't Mind: Cruxmont

Don't Mind

Fool and Scholar Productions

Fiction, Drama

4.2 • 592 Ratings

🗓️ 3 August 2023

⏱️ 22 minutes

🔗️ Recording | iTunes | RSS

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Summary

The creators of Don't Mind chat with Adjoa Andoh, Daniel Demerin, David Ault, and Gemma Amor about acting, audio drama, and Cruxmont. This contains spoilers for Don't Mind: Cruxmont Music: "Old Cruxmont" – Written and Performed by Steven Melin, Budapest Strings Recorded by Musiversal Cover Art by Abigail Spence Edited by Travis Vengroff Mixed & Mastered by Dayn Leonardson Special Thanks to: Our Patreon supporters! | Carol Vengroff | Steve Chase - ID Audio This is a Fool and Scholar Production We are a two person creative team and we can only create this show because of fan support! Please support us on Patreon: https://www.patreon.com/FoolandScholar Check out our Merch: https://www.foolandscholar.com/store Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	The following interview was recorded in March 2022.
0:14.7	Hello, everyone. We have here today our wonderful voices from Don't Mind Cruxmont. I am Travis
0:20.5	Vengraf, the director and producer. Hello, I'm K.A. Stats. I am the writer from Don't Mind Cruxmont. I am Travis Vengraf, the director and producer.
0:38.3	Hello, I'm KA. Stats. I am the writer of Don't Mind Cruxmont. Hi, I'm Adjua Ando, and I'm playing Gwen. Hi, I'm Daniel Demran, and I'm playing Neil Mitchell. I'm David Halt, and I'm playing Roger Orhill. And I'm Gemmer Amour and I'm sort of helping out behind the scenes. We are so happy to have you all here.
0:38.3	We wanted to ask a few questions because we don't know. And I'm Gemma Moore, and I'm sort of helping out behind the scenes. We are so happy to have you all here.
0:43.9	We wanted to ask a few questions because we don't normally record people all together in a studio.
0:46.6	This is actually a first for us. So we wanted to ask how this experience was for you.
0:51.4	What's your level of experience working with actors in person? This is not the norm,
0:57.2	at least for us. Who's going to go? Oh, I'm sorry. I've clearly started talking. It'll be me then.
1:04.8	Well, I've been working on radio drama for people like the BBC since the 80s. So the idea of doing
1:13.5	drama with people in a space for audio is not new. However, we've been living through a very
1:19.5	unusual time. And so being able to do things together face-to-face, sort of flesh and blood in the
1:24.7	same room, has become a bit of a novelty. So it's a treat really to see other fleshy beings to do work with, as opposed to a disembodied voice.
1:34.8	How dare you?
1:37.6	It's very streamlined flesh and bodies, I would add.
1:41.4	Yes, for some of us, well, doing the tours with no sleep and being on stage is a very
1:47.2	different way of acting within the podcast scenario. But for me, I've been doing podcasting in my
1:53.4	own room, et cetera, for 15 years or so now. So it's really lovely to get back with real people
2:00.4	inside a studio. So yes, it's been an
2:03.1	absolute honour and a delight to be down here. And it's a much different, it's a different dynamic,
2:07.2	I think. It is. Because podcasting in general, especially because it's so accessible, it is mostly
2:12.7	people like us in their wardrobes with a blue yeti and a few towels over the door and then an awful
	...

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