Behind The Scenes Look At The Visal Effects & Film Editing For "First Man"

The Next Best Picture Podcast

Tv & Film

4.2 • 542 Ratings

🗓️ 2 March 2018

⏱️ 89 minutes

🔗️ Recording | iTunes | RSS

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Summary

Damien Chazelle's "First Man" is one of the year's best films and it is also one of the year's best technical showcases for various departments involved in the production. Myself and Will Mavity received the opportunity to interview members of the post-production team for Visual Effects and Film Editing, Academy Award Winners Paul Lambert ("Blade Runner 2049") and Tom Cross ("Whiplash" and "La La Land"). Through our conversations, they peal back the layers on Damien Chazelle's re-telling of Neil Armstrong's mission to the moon, what it was like to work with the hands-on director, the challenges they faced and more! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2 And be sure to help support us on Patreon for as little as $1 a month at www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	You are listening to the Next Best Picture podcast, and this is our interview with the visual effects supervisor for First Man, Paul Lambert, and Will Mabody's interview with the editor of First Man, Tom Cross.
0:14.4	Join us as we take you behind the scenes for a special look at First Man.
0:19.3	Are you sure?
0:21.1	Yeah.
0:22.8	Be an inventor.
0:26.5	First man to walk on the moon.
0:28.3	That'd be something.
0:32.0	We've chosen a job so difficult,
0:35.4	requiring so many technological developments.
0:38.6	We're going to have to start from scratch.
0:41.7	Hello, everyone, and welcome to the Next Best Picture Podcast.
0:43.5	I am your host, Matt Neglia.
0:49.1	And today we are being joined by the visual effects supervisor of the new Damien Chazelle film First Man, Paul Lambert.
0:52.3	Paul started off in the industry working on films such as the Harry Potter
0:55.3	franchise and then moved over to letters from Iwo Jima to becoming a compositing supervisor on
1:01.7	films such as the Curious Case of Benjamin Button and Tron Legacy. Last year, as the visual
1:06.9	effects supervisor for Blade Runner 2049, he earned his first Academy Award for Best Visual
1:12.6	Effects. Joining us now is Paul. Paul, how are you? I'm doing very well. Thank you so much, Matt,
1:19.7	for having me here. Yeah, well, thank you so much for being on. I have to, first of all,
1:23.8	gush for a brief moment. Blade Runner 2049 was my favorite film of 2017.
1:29.6	So thank you so much for working on that film and delivering what you delivered with it,
1:34.6	because I love that movie.
	...

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