5 • 897 Ratings
🗓️ 11 April 2025
⏱️ 82 minutes
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0:00.0 | All right, we are here. We are back. It's been, I guess, two weeks since our last episode, |
0:04.2 | but we are back with a unique episode of the single track podcast. This is sort of a behind-the-scenes |
0:09.5 | conversation. I'm joined by friends, colleagues, Drew Darby, and Rob Fisher. And we're here today |
0:15.5 | to talk about a film that we just released to the single track YouTube channel called The Finisher, |
0:20.6 | which details or chronicles Jasmine Paris's quest to attempt the Barclay marathons, |
0:27.1 | and over a three-year stretch ultimately finished the race. |
0:29.5 | And in doing so, becoming the first female finisher to sort of ever crack the code. |
0:34.7 | And we've been in the weeds on this story for, I mean, in some sense, |
0:39.4 | for the past year, since the 2024 Barclay Marathons concluded, we have been at least thinking |
0:43.9 | about this story. And then, of course, things expedited in the last two to three months. And |
0:48.4 | here we are. But I thought it would be cool to, for all three of us to congregate here and kind of reflect on on our work |
0:56.1 | how we were thinking about it what transpired before we get into it though i want to do brief |
1:00.3 | introductions starting with you drew what's sort of the the 60 second elevator pitch for who you |
1:06.3 | are and your involvement on this thing well thanks for having for having me back, Finn. I guess welcome back |
1:11.9 | and welcome to the single track podcast. Now, I'm a filmmaker by trade. I've played a lot of |
1:17.1 | different roles from most recently on this project. I was the director of photography, editor, |
1:21.9 | had the pleasure of actually being at Barclay last year and then bringing this project to the |
1:26.7 | finish line this year. |
1:29.0 | How about you, Rob? |
1:32.5 | Yeah, so my name is Rob Fisher. |
1:34.8 | I'm just happy to be here. But aside from that, I'm a visual effects artist. |
1:39.4 | More specifically, I'm working in the motion design realm. |
... |
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