4.9 • 2.1K Ratings
🗓️ 1 June 2021
⏱️ 49 minutes
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More has been written about the meaning of Beethoven’s 9th than any other symphony. There are more recordings of it, more performances of it, and more uses of its most famous theme, the Ode to Joy, than any other piece. But what is often talked about less than the political and social ramifications of the piece, is the music itself - this shocking, roiling, and inspired music that seems to inject itself right into our bloodstream. This week we talk about the first two movements of this massive symphony.
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0:00.0 | Hello and welcome to Sticky Notes, a classical music podcast. |
0:09.7 | My name is Joshua Weilersdine, I'm a conductor, and I'm the artistic director of the Luzon |
0:13.3 | Chamber Orchestra in Luzon, Switzerland, and the music director of the Phoenix Orchestra |
0:17.0 | of Boston. |
0:18.4 | This podcast is for anyone who loves classical music, works in the field or is just getting |
0:22.4 | ready to dive in to this amazing world of incredible music. |
0:26.4 | Before we get started, I want to thank my new Patreon sponsors, Mark, Imogen, Andrea, |
0:30.6 | Yana, Howard, Paul, Dirk S, Nicholas, Nancy, Shivan, and all of my other Patreon sponsors |
0:37.6 | for making season seven possible. |
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0:53.5 | Before we head to part one of Beethoven 9, I wanted to quickly mention something that |
0:56.5 | was brought to my attention by one of my listeners, Andrew. |
0:59.4 | Sticky Notes is in the running for the listeners' Choice Award as part of the British Podcast |
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1:10.0 | slash vote, and search for Sticky Notes, you can vote for the show. |
1:14.0 | Thank you again to Andrew for bringing this up to me, and please do vote if you get a |
1:17.2 | chance at britishpodcastawards.com slash vote. |
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