Beautiful Beasts: The Call of the Wild
The Reith Lectures
BBC
4.2 • 770 Ratings
🗓️ 16 February 1994
⏱️ 28 minutes
🧾️ Download transcript
Summary
This year's Reith lecturer is the Booker prize-nominated author Marina Warner. A writer of fiction, criticism and history, her works include novels and short stories as well as studies of art, myths, symbols, and fairytales. Her series of Reith Lectures entitled 'Managing Monsters' explore how myths express and shape our attitudes.
The desire for closeness to animal power may still stimulate the breeding of fighting dogs, but it also drives the rise in the variety of soft toys. Even dinosaurs are transformed by plush fabric and stuffing into reassuring, cuddly, domestic creatures and nursery talismans. Marina Warner examines the ancient, mythological roots of the symbolic value of the wild and looks at how these are intertwined with the definition of humanity's virtue.
Transcript
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| 0:00.0 | This is a podcast from the archives of the BBC Ruth Lectures. |
| 0:04.7 | This lecture in the series Managing Monsters, given by Marina Warner, was originally broadcast in 1994. |
| 0:12.2 | In the medieval romance, Valentine and Orson, the Empress of Constantinople finds herself alone in a wild forest, giving birth to twins. |
| 0:22.7 | Her husband, the emperor, has cruelly cast her out under full suspicion of adultery. A passing she-bear steals one of the children |
| 0:28.7 | for herself. The other baby, Valentine, is rescued with his mother when a nobleman comes |
| 0:33.8 | riding by at the right moment and takes them both home with him. This twin, Valentine, grows up at court to become a valiant prince, while the lost boy, |
| 0:42.3 | Orson or Bear Cub, grows up a wild, hairy man doing great mischief to all that pass through the forest. |
| 0:49.3 | The separated twins' tumultuous legend tells how the brothers later meet and fight and how Valentine |
| 0:55.6 | captures the wildman Orson. At the first dawn of morning, Valentine arose, and putting on his armour, |
| 1:03.7 | took a shield polished like a mirror, and having arrived at the forest, he climbed a high tree near |
| 1:09.8 | the bear's cave. Presently he heard Orson, who had a buck with him which he had just killed, come roaring by. And he could not help admiring the beauty of his make and his agility, wishing it were possible to tame him. He then tore off a branch of a tree and threw it at Orson, who, looking up, uttered a furious howl, |
| 1:31.8 | and darted up the tree like lightning. Valentine descended, and Orson, seeing him on the ground, |
| 1:38.2 | rushed down. Valentine held up his shield, and Or Orson evidently surprised and delighted |
| 1:45.0 | Beheld his own image |
| 1:49.0 | Just as Perseus used Medusa's mask to free Andromeda from the monster |
| 1:53.0 | So Valentine's spellbines the wild man |
| 1:57.0 | The scene of Orson's capture borrows the advice of medieval besturies on hunting a tigress. |
| 2:03.0 | To catch that wildest of wild beasts, a hunter should throw down a glass globe in the animal's path. |
| 2:09.3 | She'll see herself reflected in it in miniature and mistake her image for her cub. |
| 2:14.7 | This will stop her in her tracks and she'll try to pick it up, giving the huntsman time |
| 2:18.7 | to drop a net over her. The romance, Valentine and Orson, was translated from a lost French |
| 2:25.2 | original and printed by Caxton's successor Winkin de Word at the beginning of the 16th century. |
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